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ARTPOST - Notes from Swan House

227: THE PUFF ADDER. On or about last January 30, Lee Ka-sing, photographer, poet, producer of the Artpost, co-owner and co-director of Index G—the gallery from which the sparkling Artpost proceeds—more or less ruined my life (inadvertently, I’m certain) by giving me a huge, glossy heavy quaintly out-of-date computer manual titled Using Microsoft FrontPage 2000. The book is thick as a brick and 1200 pages long. Eventually it will be impossible to close and will then lie supine upon some table or shelf, g...

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ARTPOST - Notes from Swan House | artpost-swanhouse.blogspot.com Reviews

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227: THE PUFF ADDER. On or about last January 30, Lee Ka-sing, photographer, poet, producer of the Artpost, co-owner and co-director of Index G—the gallery from which the sparkling Artpost proceeds—more or less ruined my life (inadvertently, I’m certain) by giving me a huge, glossy heavy quaintly out-of-date computer manual titled Using Microsoft FrontPage 2000. The book is thick as a brick and 1200 pages long. Eventually it will be impossible to close and will then lie supine upon some table or shelf, g...

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1 century english poet

2 email this

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7 226 plastic shovel

8 223 dried pomegranites

9 222 primary jams

10 de stijl jams

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ARTPOST - Notes from Swan House | artpost-swanhouse.blogspot.com Reviews

https://artpost-swanhouse.blogspot.com

227: THE PUFF ADDER. On or about last January 30, Lee Ka-sing, photographer, poet, producer of the Artpost, co-owner and co-director of Index G—the gallery from which the sparkling Artpost proceeds—more or less ruined my life (inadvertently, I’m certain) by giving me a huge, glossy heavy quaintly out-of-date computer manual titled Using Microsoft FrontPage 2000. The book is thick as a brick and 1200 pages long. Eventually it will be impossible to close and will then lie supine upon some table or shelf, g...

INTERNAL PAGES

artpost-swanhouse.blogspot.com

1

ARTPOST - Notes from Swan House: May 2013

http://artpost-swanhouse.blogspot.com/2013_05_01_archive.html

227: THE PUFF ADDER. On or about last January 30, Lee Ka-sing, photographer, poet, producer of the Artpost, co-owner and co-director of Index G—the gallery from which the sparkling Artpost proceeds—more or less ruined my life (inadvertently, I’m certain) by giving me a huge, glossy heavy quaintly out-of-date computer manual titled Using Microsoft FrontPage 2000. The book is thick as a brick and 1200 pages long. Eventually it will be impossible to close and will then lie supine upon some table or shelf, g...

2

ARTPOST - Notes from Swan House: April 2013

http://artpost-swanhouse.blogspot.com/2013_04_01_archive.html

225: AN AUTOBIOGRAPHICAL OBJECT. A boy on a pig might not be as runaway romantic as a boy on a dolphin, but what the boy plus pig can offer is a homely atmosphere of dogged determination that might well be, in he long run, more helpful than dreamy woolgatherings of mere escapism. Where the swooping dolphin-ride would be a reward, the stolid pig journey is a pilgrimage—and thus an accomplishment. The pig and his rider look alike—which is as it should be. 224: 1951 MERCURY KUSTOM. Which meant I hungrily, r...

3

ARTPOST - Notes from Swan House: October 2012

http://artpost-swanhouse.blogspot.com/2012_10_01_archive.html

There’s a photo I have always loved in Stephen Bayley’s Harley Earl and the Dream Machine (Knopf, 1985) showing designer Harley Earl (1913-1969)—the Head of General Motors’ Art and Colour Section—standing on an airport tarmac near both the 1948 Cadillac and, behind the car, the radically designed Lockheed P-38 Lightning. What glum little creatures they appear to be! The other clown—the one with the lollipop—looks slightly more present than his partner, perhaps because of a very slight differe...The way i...

4

ARTPOST - Notes from Swan House: September 2012

http://artpost-swanhouse.blogspot.com/2012_09_01_archive.html

Malgorzata and I found this pin-plumed peacock in an antiques store in Deseronto, Ontario. It’s made of brass—old dark brass—and carries eight hatpins, each of them plunged into the velvety pad the peacock bears on its back. The hatpins are charmingly scruffy. There are four faux pearls (of which one is clearly plastic), three faux jet beads (one is actually a black veined stone) and one eccentric pin which is topped not by a stone but by a small stuffed pillow. Anyhow my chipmunk has a big tough key stu...

5

ARTPOST - Notes from Swan House: # 225: AN AUTOBIOGRAPHICAL OBJECT

http://artpost-swanhouse.blogspot.com/2013/04/225-autobiographical-object.html

225: AN AUTOBIOGRAPHICAL OBJECT. A boy on a pig might not be as runaway romantic as a boy on a dolphin, but what the boy plus pig can offer is a homely atmosphere of dogged determination that might well be, in he long run, more helpful than dreamy woolgatherings of mere escapism. Where the swooping dolphin-ride would be a reward, the stolid pig journey is a pilgrimage—and thus an accomplishment. The pig and his rider look alike—which is as it should be. 225: AN AUTOBIOGRAPHICAL OBJECT.

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ARTPOST - Notes from Swan House

227: THE PUFF ADDER. On or about last January 30, Lee Ka-sing, photographer, poet, producer of the Artpost, co-owner and co-director of Index G—the gallery from which the sparkling Artpost proceeds—more or less ruined my life (inadvertently, I’m certain) by giving me a huge, glossy heavy quaintly out-of-date computer manual titled Using Microsoft FrontPage 2000. The book is thick as a brick and 1200 pages long. Eventually it will be impossible to close and will then lie supine upon some table or shelf, g...

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