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Expressive hairpins in Brahms. May 14, 2014. This is a call for sound clips by any and all Brahms Lab members. Repertoire: any passage from Brahms’ sonatas or chamber music involving a hairpin. If you’d like more information, you can read more excerpts from Davies’ description here. Or a full discussion of Davies’ writings and annotations in Ch 7 of this book. For a taste of Davies’ own playing, you can listen to her recordings of Schumann Kinderszenen. There’s also a great article here.

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Expressive hairpins in Brahms. May 14, 2014. This is a call for sound clips by any and all Brahms Lab members. Repertoire: any passage from Brahms’ sonatas or chamber music involving a hairpin. If you’d like more information, you can read more excerpts from Davies’ description here. Or a full discussion of Davies’ writings and annotations in Ch 7 of this book. For a taste of Davies’ own playing, you can listen to her recordings of Schumann Kinderszenen. There’s also a great article here.

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Expressive hairpins in Brahms. May 14, 2014. This is a call for sound clips by any and all Brahms Lab members. Repertoire: any passage from Brahms’ sonatas or chamber music involving a hairpin. If you’d like more information, you can read more excerpts from Davies’ description here. Or a full discussion of Davies’ writings and annotations in Ch 7 of this book. For a taste of Davies’ own playing, you can listen to her recordings of Schumann Kinderszenen. There’s also a great article here.

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All posts by admin. Expressive hairpins in Brahms. May 14, 2014. This is a call for sound clips by any and all Brahms Lab members. Repertoire: any passage from Brahms’ sonatas or chamber music involving a hairpin. If you’d like more information, you can read more excerpts from Davies’ description here. Or a full discussion of Davies’ writings and annotations in Ch 7 of this book. For a taste of Davies’ own playing, you can listen to her recordings of Schumann Kinderszenen. Proudly powered by WordPress.

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Expressive hairpins in Brahms. May 14, 2014. This is a call for sound clips by any and all Brahms Lab members. Repertoire: any passage from Brahms’ sonatas or chamber music involving a hairpin. If you’d like more information, you can read more excerpts from Davies’ description here. Or a full discussion of Davies’ writings and annotations in Ch 7 of this book. For a taste of Davies’ own playing, you can listen to her recordings of Schumann Kinderszenen. There’s also a great article here. To post a comment.

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The Brahms Lab | Experiments in 19th-century performance practice

Expressive hairpins in Brahms. May 14, 2014. This is a call for sound clips by any and all Brahms Lab members. Repertoire: any passage from Brahms’ sonatas or chamber music involving a hairpin. If you’d like more information, you can read more excerpts from Davies’ description here. Or a full discussion of Davies’ writings and annotations in Ch 7 of this book. For a taste of Davies’ own playing, you can listen to her recordings of Schumann Kinderszenen. There’s also a great article here.

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