carolinecoon.com

inespunessen.com

Women Writing Rights | Ines Punessen

http://inespunessen.com/women-writing-rights

Music and Multimedia Journalist Foreign Correspondent Translator. The discrimination of female music journalists is the central topic of. It aims to promote gender justice in this part of the music industry by shedding light on high-profile female writers’ struggles since the ’70s, but also by celebrating their persistency. Features the views of former. Feminist icon Caroline Coon. Contributor Lucy O’Brien. Disc and Music Echo’s. Andy Prevezer and Professor Doctor Martin James. Theme by: Theme Horse.

rytrut.com

Les filles atypiques, l'histoire des Slits de ZOË HOWE

http://www.rytrut.com/les-filles-atypiques-lhistoire-des-slits-de-zoe-howe

L’Histoire de Crass – George Berger. Burning Britain – Seconde vague punk britannique – Ian Glasper. Entertain Us – L’Ascension de Nirvana – Gillian G. Gaar. Les filles atypiques, l’histoire des Slits – Zoë Howe. Sur la route avec les Ramones – Melnick/Meyer. Que la Farce soit avec vous – Jello Biafra. Moi, Shithead Toute une vie dans le punk – Joey Keithley. Double personnalité : L’histoire de P! NK – Paul Lester – actualisé. Going Underground – Georges Hurchalla. NK – Paul Lester. A propos de Rytrut.

ariotofourown.wordpress.com

A Riot of Our Own – A Symposium on The Clash | A Riot of Our Own

https://ariotofourown.wordpress.com/2014/02/17/call-for-papers

A Riot of Our Own. Strummerville Fundraiser, June 21st. A Riot of Our Own – A Weekend With The Clash in Belfast, June 20-21, 2014 →. A Riot of Our Own – A Symposium on The Clash. February 17, 2014. University of Ulster, Belfast Campus, Northern Ireland. June 20-21, 2014. There are few bands that have enjoyed as much adoration or endured as much controversy as The Clash. Emerging originally as a principal voice in the burgeoning mid 1970s London punk scene, The Clash. Have exercised over the last four dec...

womenwritingrights.com

Women Writing Rights - Why Discrimination

http://www.womenwritingrights.com/why-discrimination.html

The discrimination of female music journalists. The Roots of Female Discrimination. The British music press has been a phallocentric world, revolving around male critics, musicians and readers since its early days. Women have been excluded from this ‘knowing’ community as they were deemed unauthentic pop consumers. This attitude is so heavily engrained into popular music history that we can trace it back to the 18th and 19th century when ‘pop’ music was seen as the carnivalesque ‘low other’. It's hardly ...

womenwritingrights.com

Women Writing Rights - Visible Women

http://www.womenwritingrights.com/visible-women.html

The discrimination of female music journalists. Female Voices to the Front (Page). Most people regard it as common sense to feature a ‘female voice’. They call it the obvious thing , a done deal . By now, we know this does not always go without saying. What is certain though is that women writers have been important contributors to popular music discourse; whether through movements like punk and riot grrrl, through their experiences, through feminist actions or through simply adding some balance. Says: L...

womenwritingrights.com

Women Writing Rights - 1970s

http://www.womenwritingrights.com/1970s.html

The discrimination of female music journalists. The Vanguard Years: Female Journalists vs. Blatant Misogyny. Most music magazine environments in the '70s were defined by sexism, misogyny and suspicion towards female music writers. Women who dared to enter this unthreatened, pampered lions' den , as NME. Journalist Deanne Pearson called it, had to face attitudes that were simply NOT ALLOWED. Caroline Coon. Star writer for Melody Maker. Your browser does not support the audio element. S editor Ray Coleman.

womenwritingrights.com

Women Writing Rights - Credits & Thanks

http://www.womenwritingrights.com/credits---thanks.html

The discrimination of female music journalists. Enabled me to meet many incredibly interesting, talented and brave female music writers from various decades. I am very grateful to Caroline Boucher. For significantly shaping this project. A special thanks also goes to Andy Prevezer, Andrew Mueller. Who had the guts to give their view points and expertise on this delicate issue and for adding some balance. Further thanks goes to: Iestyn George. Sarah Kavanagh from the NUJ. Association of Independent Music.

womenwritingrights.com

Women Writing Rights - 1990s

http://www.womenwritingrights.com/1990s.html

The discrimination of female music journalists. The Commissioning Years: Everything But Few Girls. Female journalists slowly fought their way into editorial staff positions with major music publications during the '90s. Kerrang! Even announced its first female editor, Robyn Dorian. However, generally speaking, female section and commissioning editors remained a minority. Andrew Mueller. Who was the reviews editor of Melody Maker. Female writers, like Carol Clerk. Who was the news editor at Melody Maker.

womenwritingrights.com

Women Writing Rights - About

http://www.womenwritingrights.com/about.html

The discrimination of female music journalists. The idea for Women Writing Rights. As my final Masters project originated from the Woman's Hour. Episode on Woman and Music Journalism. On the programme, '70s Melody Maker. Said: Walking into the Melody Maker. Office was like a black footballer going onto a football pitch and having bananas thrown at him. I was intrigued. S editor at that time denied any real barriers when she got to the New Musical Express. In the early noughties. It dawned on me that the ...