devisingpracticeresearchtrail.wordpress.com

Performer and Audience Relationships – Contemporary Devising Practice Research Trail

"An audience is never wrong. An individual member of it may be an imbecile, but a thousand imbeciles together in the dark - that is critical genius" - Billy Wilder (Grischow and Schlöndorff, 2006) In a recent interview Janice Kerbel, Turner Prize 2015 nominee, expressed that she does not think about the audience but focuses on…

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Performer and Audience Relationships – Contemporary Devising Practice Research Trail | devisingpracticeresearchtrail.wordpress.com Reviews

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An audience is never wrong. An individual member of it may be an imbecile, but a thousand imbeciles together in the dark - that is critical genius - Billy Wilder (Grischow and Schlöndorff, 2006) In a recent interview Janice Kerbel, Turner Prize 2015 nominee, expressed that she does not think about the audience but focuses on…

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Performer and Audience Relationships – Contemporary Devising Practice Research Trail | devisingpracticeresearchtrail.wordpress.com Reviews

https://devisingpracticeresearchtrail.wordpress.com

"An audience is never wrong. An individual member of it may be an imbecile, but a thousand imbeciles together in the dark - that is critical genius" - Billy Wilder (Grischow and Schlöndorff, 2006) In a recent interview Janice Kerbel, Turner Prize 2015 nominee, expressed that she does not think about the audience but focuses on…

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Figure 7: Big fish, Glasgow Lantern Palace (Unfinished Histories, n.d) – Performer and Audience Relationships

https://devisingpracticeresearchtrail.wordpress.com/big-fish-glasgow

Performer and Audience Relationships. Contemporary Devising Practice Research Trail. What is your Role? Figure 7: Big fish, Glasgow Lantern Palace (Unfinished Histories, n.d). Figure 7: Big fish, Glasgow Lantern Palace (Unfinished Histories, n.d). Leave a Reply Cancel reply. Enter your comment here. Fill in your details below or click an icon to log in:. Address never made public). You are commenting using your WordPress.com account. ( Log Out. You are commenting using your Twitter account. ( Log Out.

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Figure 3: Mike Turner, “the sound of no hands clapping…” (Curtin, 2014: 1) – Performer and Audience Relationships

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Performer and Audience Relationships. Contemporary Devising Practice Research Trail. What is your Role? Figure 3: Mike Turner, the sound of no hands clapping (Curtin, 2014: 1). Leave a Reply Cancel reply. Enter your comment here. Fill in your details below or click an icon to log in:. Address never made public). You are commenting using your WordPress.com account. ( Log Out. You are commenting using your Twitter account. ( Log Out. You are commenting using your Facebook account. ( Log Out.

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Figure 2 “We are Gob Squad and so are you” (Gob squad, 2011) – Performer and Audience Relationships

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Performer and Audience Relationships. Contemporary Devising Practice Research Trail. What is your Role? Figure 2 “We are Gob Squad and so are you” (Gob squad, 2011). Leave a Reply Cancel reply. Enter your comment here. Fill in your details below or click an icon to log in:. Address never made public). You are commenting using your WordPress.com account. ( Log Out. You are commenting using your Twitter account. ( Log Out. You are commenting using your Facebook account. ( Log Out. 1) Audience as Witness.

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What is your Role? – Performer and Audience Relationships

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Performer and Audience Relationships. Contemporary Devising Practice Research Trail. What is your Role? What is your Role? 8220;An audience without a history is not an audience” (Blau, 1990: 16). Ronald Barthes sparked interest in reception research in his publication. Pleasure of the Text (. Figure 2 “We are Gob Squad and so are you” (Gob squad, 2011). Interestingly the etymology of audience is the latin verb audire – ‘to hear’, audiences were first listeners to to performers rather th...This openness i...

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Figure 1. 3D Staging-The Globe (Fludd , 1619) – Performer and Audience Relationships

https://devisingpracticeresearchtrail.wordpress.com/about/historical-audiences/three-dimensional-theatre-staging

Performer and Audience Relationships. Contemporary Devising Practice Research Trail. What is your Role? Figure 1. 3D Staging-The Globe (Fludd , 1619). Leave a Reply Cancel reply. Enter your comment here. Fill in your details below or click an icon to log in:. Address never made public). You are commenting using your WordPress.com account. ( Log Out. You are commenting using your Twitter account. ( Log Out. You are commenting using your Facebook account. ( Log Out. Notify me of new comments via email.

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Performer and Audience Relationships – Contemporary Devising Practice Research Trail

Performer and Audience Relationships. Contemporary Devising Practice Research Trail. What is your Role? 8220;An audience is never wrong. An individual member of it may be an imbecile, but a thousand imbeciles together in the dark – that is critical genius” – Billy Wilder. Grischow and Schlöndorff, 2006). In a recent interview Janice Kerbel, Turner Prize 2015 nominee. Expressed that she does not think about the audience but focuses on what motivates her to make the work. ( Tate, 2015. Big fish, Glasgow La...

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