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The Digital Intermediate Guide - by Phil Green

THE DIGITAL INTERMEDIATE - A GUIDE. On starting this project way back in 2006, a web based guide to the Digital Intermediate, my ideas of what I thought would be an interesting and a useful guide to DI soon became downtrodden with the technicalities of how the Digital Intermediate works. Tackling this vast subject from a purely technical viewpoint would be extremely dull and uninspiring; whereas the creative work on films produced is nothing less than visually spectacular. The point is I'm not infallible...

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The Digital Intermediate Guide - by Phil Green | digital-intermediate.co.uk Reviews
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THE DIGITAL INTERMEDIATE - A GUIDE. On starting this project way back in 2006, a web based guide to the Digital Intermediate, my ideas of what I thought would be an interesting and a useful guide to DI soon became downtrodden with the technicalities of how the Digital Intermediate works. Tackling this vast subject from a purely technical viewpoint would be extremely dull and uninspiring; whereas the creative work on films produced is nothing less than visually spectacular. The point is I'm not infallible...
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The Digital Intermediate Guide - by Phil Green | digital-intermediate.co.uk Reviews

https://digital-intermediate.co.uk

THE DIGITAL INTERMEDIATE - A GUIDE. On starting this project way back in 2006, a web based guide to the Digital Intermediate, my ideas of what I thought would be an interesting and a useful guide to DI soon became downtrodden with the technicalities of how the Digital Intermediate works. Tackling this vast subject from a purely technical viewpoint would be extremely dull and uninspiring; whereas the creative work on films produced is nothing less than visually spectacular. The point is I'm not infallible...

INTERNAL PAGES

digital-intermediate.co.uk digital-intermediate.co.uk
1

Examples Index

http://www.digital-intermediate.co.uk/examplesindex.htm

THE DIGITAL INTERMEDIATE - EXAMPLES. Please remember the examples shown are optimised to look good on my monitor at home, apologies if they are not good on yours - check out Calibration for an explanation.

2

Colour Index

http://www.digital-intermediate.co.uk/colourindex.htm

THE DIGITAL INTERMEDIATE - COLOUR MANIPULATION. Grading / Colour Correction / Timing. The colourist's job is quite complex, not only are we expected to perform miracles during the colour correction session - he or she also has to advise/guide the client as to what is possible with the material, or ultimately within the timescale!

3

The Author - Phil Green VI

http://www.digital-intermediate.co.uk/author.htm

THE DIGITAL INTERMEDIATES INTERNET GUIDE'S AUTHOR. I originally wrote this page over 10 years ago now! I also suffered a rather large accident in 2012, which has changed my life dramatically and significantly. However with the help of my friends and family life is getting back on track. I had concentrated so much on the journey, I had not really thought about it seriously and exactly what it meant. Everyone called me Phil - so that was how I gained my first credit, as Phil Green. However now I have a nam...

4

Resolution Index

http://www.digital-intermediate.co.uk/resolutionindex.htm

THE DIGITAL INTERMEDIATE - RESOLUTION. Portions of the film 28 Days Later. Were shot on a Canon XL1 digital video camera. DV cameras are much smaller and more manoeuvrable than traditional film cameras, it leant itself to the way in which Danny Boyle shot the feature. They would never have been able to capture the shots as quickly or efficiently as they did in such a short time scale, however ultimately the film was engaging, imaginative and distinctive which propelled it to success. Old school filmmaker...

5

Film Index

http://www.digital-intermediate.co.uk/filmindex.htm

THE DIGITAL INTERMEDIATE - FILM. Cinema as we traditionally perceive it began at the end of the nineteenth century, culminating from a number of quite separate technologies forged together. Projected pictures (like today’s slide projectors), known as the magic lantern were a pre cursor to the idea of film, however these early principals were held back by the lack of a bright enough light source. Animation of the captured images -. Digital capture and digital presentation make this process even simpler, a...

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Green is the Colour

http://pgreen.co.uk/green.htm

THE AUTHOR - PHIL GREEN (a.k.a peagreen). Phil Green grew up in the picturesque New Forest of England. Wading through a quagmire of horse poo and cow dung, reading an unhealthy collection of Roald Dahl, Enid Blyton, Douglas Adams, Agatha Christie, Stephen King and The Beano. I find writing about myself to be one of the hardest things, as I think many writers do. With this in mind, to research 'who I am', I set my friends a task of writing my obituary. Now this may sound rather morbid, however I w...Plus ...

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The Digital Intermediate Guide - by Phil Green

THE DIGITAL INTERMEDIATE - A GUIDE. On starting this project way back in 2006, a web based guide to the Digital Intermediate, my ideas of what I thought would be an interesting and a useful guide to DI soon became downtrodden with the technicalities of how the Digital Intermediate works. Tackling this vast subject from a purely technical viewpoint would be extremely dull and uninspiring; whereas the creative work on films produced is nothing less than visually spectacular. The point is I'm not infallible...

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