Publications by Edward Breen <br> This blog provides a central collection of CD reviews, magazine features and academic publications. <br> Where possible, entries are linked to their original publication.
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Falsettist | falsettist.blogspot.com Reviews
https://falsettist.blogspot.com
Publications by Edward Breen <br> This blog provides a central collection of CD reviews, magazine features and academic publications. <br> Where possible, entries are linked to their original publication.
falsettist.blogspot.com
Falsettist: David Munrow (of the Early Music Consort) and Folk Music
http://falsettist.blogspot.com/2015/05/david-munrow-of-early-music-consort-and.html
Publications by Edward Breen. This blog provides a central collection of CD reviews, magazine features and academic publications. Where possible, entries are linked to their original publication. David Munrow (of the Early Music Consort) and Folk Music. Guest Blog for Semibrevity: A blog about early music pioneers. Having studied Munrow’s recordings, broadcasts and writings over the past few years I have become interested in what first sparked his interest in folk music and folk instruments, and ho...
Falsettist: July 2013
http://falsettist.blogspot.com/2013_07_01_archive.html
Publications by Edward Breen. This blog provides a central collection of CD reviews, magazine features and academic publications. Where possible, entries are linked to their original publication. Dartington International Summer School 2013. Possibly given by Munrow at Dartington during the summer of 1969. Http:/ www.dartington.org/spektrix/event? Subscribe to: Posts (Atom). Edward Breen is a musicologist and lecturer at City Lit college, London. He writes for Gramophone magazine and has lectured for ...
Falsettist: April 2014
http://falsettist.blogspot.com/2014_04_01_archive.html
Publications by Edward Breen. This blog provides a central collection of CD reviews, magazine features and academic publications. Where possible, entries are linked to their original publication. The oriental in early music. With a Hitchcock film as his starting point, Edward Breen explores the fruitful border between early music and ethnomusicology and selects a colourful array of recordings to explore. Gramophone, May 2014). Book Review: Early music in the modern era. The three main aims of Wilson̵...
Falsettist: March 2014
http://falsettist.blogspot.com/2014_03_01_archive.html
Publications by Edward Breen. This blog provides a central collection of CD reviews, magazine features and academic publications. Where possible, entries are linked to their original publication. How The Stops Got Their Names. Sat 22 March 12:30pm. Southbank Centre, London. HOW THE STOPS GOT THEIR NAMES. A history of early instruments and the organ. A talk with musicologist Edward Breen. Level 5 Function Room at Royal Festival Hall. Thurston Dart's Stereophonic Test Record. On parole/A paris/FRESE NOUVELE.
Falsettist: October 2014
http://falsettist.blogspot.com/2014_10_01_archive.html
Publications by Edward Breen. This blog provides a central collection of CD reviews, magazine features and academic publications. Where possible, entries are linked to their original publication. Book Review: Rehearing Late Medieval Song. Music and performance in the later Middle Ages,. The New Middle Ages ( New York. The sound studies reader. Ed J Sterne (London, 2012) and the new cultural history of music (see. The Oxford handbook of the new cultural history of music. Subscribe to: Posts (Atom). Book R...
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Publications by Edward Breen. This blog provides a central collection of CD reviews, magazine features and academic publications. Where possible, entries are linked to their original publication. Cathy Berberian As far as is possible within the confines of these pages, Edward Breen explores the vocalist’s fascinating career – defined by eclecticism, experimentation, unorthodoxy and sheer chutzpah. 8221;’ (3/06). Missa Videte miraculum and Ave Maria, ancilla Trinitatis. O’Donnell treads a conservati...
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