floatingzoetropes.blogspot.com

Floating Zoetropes

Thursday, August 6, 2015. For the past seven months or so, I have been engaged in writing weekly reviews of theatrical releases (Hollywood titles) for. The film society I represent and help run, Lightcube. In newsprint, one must write with the certainty of a glass smashing against the wall. To extend the analogy, the critical voice must function with the specific brevity of a dollar-store hitman revealing his recruiter’s name right before he is thrown off the rooftop. Is an extremely useful learning tool.

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Floating Zoetropes | floatingzoetropes.blogspot.com Reviews

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Thursday, August 6, 2015. For the past seven months or so, I have been engaged in writing weekly reviews of theatrical releases (Hollywood titles) for. The film society I represent and help run, Lightcube. In newsprint, one must write with the certainty of a glass smashing against the wall. To extend the analogy, the critical voice must function with the specific brevity of a dollar-store hitman revealing his recruiter’s name right before he is thrown off the rooftop. Is an extremely useful learning tool.

<META> KEYWORDS

1 jobbin

2 the asian age

3 the new republic

4 the vatican tapes

5 ant man

6 pitch perfect 2

7 inside out

8 the sky up

9 entourage

10 jurassic world

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jobbin,the asian age,the new republic,the vatican tapes,ant man,pitch perfect 2,inside out,the sky up,entourage,jurassic world,maggie,poltergeist,danny collins,playing it cool,furious 7,dragon blade,chapplie,love rosie,taken 3,posted by,anuj malhotra,read

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Floating Zoetropes | floatingzoetropes.blogspot.com Reviews

https://floatingzoetropes.blogspot.com

Thursday, August 6, 2015. For the past seven months or so, I have been engaged in writing weekly reviews of theatrical releases (Hollywood titles) for. The film society I represent and help run, Lightcube. In newsprint, one must write with the certainty of a glass smashing against the wall. To extend the analogy, the critical voice must function with the specific brevity of a dollar-store hitman revealing his recruiter’s name right before he is thrown off the rooftop. Is an extremely useful learning tool.

INTERNAL PAGES

floatingzoetropes.blogspot.com

1

Floating Zoetropes: April 2013

http://www.floatingzoetropes.blogspot.com/2013_04_01_archive.html

Thursday, April 11, 2013. Underworld U.S.A (1961). Wednesday, April 10, 2013. The online film journal I also run, recently published its first yearly Almanac. Which featured writers from around the world recollecting the previous year in cinema for them. Those interested can read it here. I also contributed an essay on James Gray, called The Private World of Mr. Gray. To Bangalore-based film magazine Deep Focus Cinema. People in other movies – they seem plucked out of Gray’s experiences, peop...Down to t...

2

Floating Zoetropes: Three Dead Bodies

http://www.floatingzoetropes.blogspot.com/2013/07/three-dead-bodies.html

Saturday, July 20, 2013. Often in Robert Altman's films, characters who die submerge into a neighbouring water body: it's as if they dissolve into liquid and lose their material nature, significance. McCabe and Mrs. Miller (1971). The Long Goodbye (1974). Subscribe to: Post Comments (Atom). Cinema and religion are so intricately connected to each other that on closer inspection, it is revealed to us that the object that a Zoetrope may most closely resemble is the Holy Grail. The Revival of the Dead.

3

Floating Zoetropes: The Revival of the Dead

http://www.floatingzoetropes.blogspot.com/2013/07/the-revival-of-dead.html

Saturday, July 20, 2013. The Revival of the Dead. One is not prone to discussing the class-consciousness prevalent in De Palma’s work; the excitement of his films seems to derive as much from the perverseness of his directorial design (particularly; in terms of the central plot, the mood of the piece and the various rhythms/double-rhythms), but also, from (what seems like an) inevitable, and yet, unforeseen engagement of societal classes. In Obsession. As opposed to the hope-agony of Scottie in Vertigo.

4

Floating Zoetropes: August 2015

http://www.floatingzoetropes.blogspot.com/2015_08_01_archive.html

Thursday, August 6, 2015. For the past seven months or so, I have been engaged in writing weekly reviews of theatrical releases (Hollywood titles) for. The film society I represent and help run, Lightcube. In newsprint, one must write with the certainty of a glass smashing against the wall. To extend the analogy, the critical voice must function with the specific brevity of a dollar-store hitman revealing his recruiter’s name right before he is thrown off the rooftop. Is an extremely useful learning tool.

5

Floating Zoetropes: The Wrestlers

http://www.floatingzoetropes.blogspot.com/2014/01/the-wrestlers.html

Sunday, January 5, 2014. The Lonely (1999) /. The Wrestlers (1905) /. February 3, 2014 at 10:45 AM. Speaking of Wrestlers, have you seen Buddhadep Dasguptas Uttara? Subscribe to: Post Comments (Atom). Cinema and religion are so intricately connected to each other that on closer inspection, it is revealed to us that the object that a Zoetrope may most closely resemble is the Holy Grail. To Screen the Past. 2001 : A Space Odyssey. Deep into the Valley. Edgar G. Ulmer. I Walked with a Zombie.

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cinefiladjectiv.blogspot.com

Cinefil, adjectiv: Change of Address

http://cinefiladjectiv.blogspot.com/2013/01/change-of-address.html

Sunday, January 13, 2013. Hi Hello. I'm moving this blog on Tumblr. Subscribe to: Post Comments (Atom). View my complete profile. I also blog at. Here, there, everywhere. Vivre sa (double) vie. Dial h for horror. Film Studies For Free. Almodóvar Studies for Free. Mirror: Motion Picture Commentary. Neil Young's Film Lounge. 2016, top tens. Observations on film art. Spies face the music: Jeff Smith on FOREIGN CORRESPONDENT. Sartre, Kafka, Welles. John Cassavetes' Too Late Blues.

cinefiladjectiv.blogspot.com

Cinefil, adjectiv: Terra em transe

http://cinefiladjectiv.blogspot.com/2012/12/terra-em-transe.html

Monday, December 10, 2012. Terra em transe/ Entranced Earth. Glauber Rocha, 1967). Labels: cu această ocazie. Subscribe to: Post Comments (Atom). View my complete profile. I also blog at. Here, there, everywhere. Screens Within Screens #1. Dial h for horror. Film Studies For Free. Almodóvar Studies for Free. Mirror: Motion Picture Commentary. Neil Young's Film Lounge. 2016, top tens. Observations on film art. Spies face the music: Jeff Smith on FOREIGN CORRESPONDENT. Sartre, Kafka, Welles.

cinefiladjectiv.blogspot.com

Cinefil, adjectiv: December 2012

http://cinefiladjectiv.blogspot.com/2012_12_01_archive.html

Monday, December 10, 2012. Terra em transe/ Entranced Earth. Glauber Rocha, 1967). Labels: cu această ocazie. Thursday, December 6, 2012. Screens Within Screens #1. La flor de mi secreto. Pedro Almodóvar, 1995). Subscribe to: Posts (Atom). View my complete profile. I also blog at. Here, there, everywhere. Screens Within Screens #1. Dial h for horror. Film Studies For Free. Almodóvar Studies for Free. Mirror: Motion Picture Commentary. Neil Young's Film Lounge. 2016, top tens. Observations on film art.

cinefiladjectiv.blogspot.com

Cinefil, adjectiv: Vivre sa (double) vie

http://cinefiladjectiv.blogspot.com/2013/01/vivre-sa-double-vie.html

Thursday, January 3, 2013. Vivre sa (double) vie. Subscribe to: Post Comments (Atom). View my complete profile. I also blog at. Here, there, everywhere. Vivre sa (double) vie. Dial h for horror. Film Studies For Free. Almodóvar Studies for Free. Mirror: Motion Picture Commentary. Neil Young's Film Lounge. 2016, top tens. Observations on film art. Spies face the music: Jeff Smith on FOREIGN CORRESPONDENT. Sartre, Kafka, Welles. John Cassavetes' Too Late Blues.

cinefiladjectiv.blogspot.com

Cinefil, adjectiv: 13

http://cinefiladjectiv.blogspot.com/2013/01/13.html

Thursday, January 3, 2013. Madame de. / The Earrings of Madame de. Max Ophüls, 1953). Subscribe to: Post Comments (Atom). View my complete profile. I also blog at. Here, there, everywhere. Vivre sa (double) vie. Dial h for horror. Film Studies For Free. Almodóvar Studies for Free. Mirror: Motion Picture Commentary. Neil Young's Film Lounge. 2016, top tens. Observations on film art. Spies face the music: Jeff Smith on FOREIGN CORRESPONDENT. Sartre, Kafka, Welles. John Cassavetes' Too Late Blues.

cinefiladjectiv.blogspot.com

Cinefil, adjectiv: Screens Within Screens #1

http://cinefiladjectiv.blogspot.com/2012/12/screens-within-screens-1.html

Thursday, December 6, 2012. Screens Within Screens #1. La flor de mi secreto. Pedro Almodóvar, 1995). Subscribe to: Post Comments (Atom). View my complete profile. I also blog at. Here, there, everywhere. Screens Within Screens #1. Dial h for horror. Film Studies For Free. Almodóvar Studies for Free. Mirror: Motion Picture Commentary. Neil Young's Film Lounge. 2016, top tens. Observations on film art. Spies face the music: Jeff Smith on FOREIGN CORRESPONDENT. Sartre, Kafka, Welles.

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Floating Zoetropes

Thursday, August 6, 2015. For the past seven months or so, I have been engaged in writing weekly reviews of theatrical releases (Hollywood titles) for. The film society I represent and help run, Lightcube. In newsprint, one must write with the certainty of a glass smashing against the wall. To extend the analogy, the critical voice must function with the specific brevity of a dollar-store hitman revealing his recruiter’s name right before he is thrown off the rooftop. Is an extremely useful learning tool.

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