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Because all that is invisible remains’. As part of the Ashmolean Museum’s LiveFriday series, Marta Arnaldi will be performing at Under the Sea on Friday 9 September, which explores Shakespeare’s shipwrecks on the anniversary of his death. The Ashmolean Museum’s latest exhibition, ‘Storms, Wars and Shipwrecks: Treasures from the Sicilian Seas’, transforms Sicily from a fixed point in the sea to a story of journeys and encounters, specifically those that failed… Read More The Saracen Lie. The Barbican in L...

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Because all that is invisible remains’. As part of the Ashmolean Museum’s LiveFriday series, Marta Arnaldi will be performing at Under the Sea on Friday 9 September, which explores Shakespeare’s shipwrecks on the anniversary of his death. The Ashmolean Museum’s latest exhibition, ‘Storms, Wars and Shipwrecks: Treasures from the Sicilian Seas’, transforms Sicily from a fixed point in the sea to a story of journeys and encounters, specifically those that failed… Read More The Saracen Lie. The Barbican in L...
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hineni hinecha | hinenihinecha.wordpress.com Reviews

https://hinenihinecha.wordpress.com

Because all that is invisible remains’. As part of the Ashmolean Museum’s LiveFriday series, Marta Arnaldi will be performing at Under the Sea on Friday 9 September, which explores Shakespeare’s shipwrecks on the anniversary of his death. The Ashmolean Museum’s latest exhibition, ‘Storms, Wars and Shipwrecks: Treasures from the Sicilian Seas’, transforms Sicily from a fixed point in the sea to a story of journeys and encounters, specifically those that failed… Read More The Saracen Lie. The Barbican in L...

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December 2015 – hineni hinecha

https://hinenihinecha.wordpress.com/2015/12

A Piece of Monologue. On 22 September 2012 A Piece of Monologue published a brief post celebrating the centenary of Franz Kafka’s composition of Das Urteil (The Judgement, 1912). The post contains a link to a translation and reading of an extract from Das Urteil that I did for the Treasures of the Bodleian exhibition in Oxford. Because all that is invisible remains’. 8216;If ends must first be given to us’. Opening Pandora’s Box. Ithaca is a voice. Ithaca is silence’.

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March 2016 – hineni hinecha

https://hinenihinecha.wordpress.com/2016/03

Opening Pandora’s Box. Next week the UCLU German Society will be staging a production of Frank Wedekind’s Lulu. Because all that is invisible remains’. 8216;If ends must first be given to us’. Opening Pandora’s Box. Ithaca is a voice. Ithaca is silence’. On A Note on Academic German by U…. Blog at WordPress.com.

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‘If ends must first be given to us’ – hineni hinecha

https://hinenihinecha.wordpress.com/2016/07/21/if-ends-must-first-be-given-to-us

8216;If ends must first be given to us’. Matthias Brinkmann offers a playful apology for the length and logical clarity of some of Kant’s sentences, which includes an interesting discussion of their translation by Mary Gregor. What is the longest sentence in Kant? Matthias also offers his opinion on style and clarity. In modern word-processed documents. On the Use and Abuse of Word for Life. Leave a Reply Cancel reply. Enter your comment here. Fill in your details below or click an icon to log in:.

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November 2015 – hineni hinecha

https://hinenihinecha.wordpress.com/2015/11

Moving Wor(l)ds – Translating Exile and Home. The Barbican in London was the venue on 27 November 2015 for TECHNE’s first (un)conference, which explored the themes of ‘Kinesis Stasis’. One particularly arresting response was Marta Arnaldi’s ‘Moving Wor(l)ds’… Read More Moving Wor(l)ds – Translating Exile and Home. 8216;But in the end I cured myself of my sickness, and with your prescription’. Because all that is invisible remains’. 8216;If ends must first be given to us’. Opening Pandora’s Box.

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The Saracen Lie – hineni hinecha

https://hinenihinecha.wordpress.com/2016/08/04/the-saracen-lie

The Ashmolean Museum’s latest exhibition, ‘Storms, Wars and Shipwrecks: Treasures from the Sicilian Seas’. Richard Kendall, a recent graduate in classical archaeology from the University of Oxford, offers his thoughts. In conjunction with the 400th anniversary of Shakespeare’s death, the Ashmolean will also be hosting ‘Under the Sea’. On 9 September, the latest in its series of LiveFriday events featuring talks, music and dance inspired by the playwright’s storms. Ithaca is a voice. Ithaca is silence’.

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Learning to Read: Or how one eight minute Youtube video taught me more than five years of university. – whoyayaya

https://whoyayaya.wordpress.com/2016/09/14/learning-to-read-or-how-one-eight-minute-youtube-video-taught-me-more-than-five-years-of-university

A blog on archaeology, objects and their interpretation. Learning to Read: Or how one eight minute Youtube video taught me more than five years of university. But should we only aspire to this passage of school through to university education? Look, for example, at me: this week I learnt how to speed-read from an eight minute YouTube video [ https:/ www.youtube.com/watch? And for me, this has given me more social capital and standing than any of my time at UCL and Oxford ever did. No Reading is about hav...

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‘We Want Your Feedback’ – whoyayaya

https://whoyayaya.wordpress.com/2016/09/01/we-want-your-feedback

A blog on archaeology, objects and their interpretation. 8216;We Want Your Feedback’. In), that is so strange to the modern Anglophone, begins the word, Þingvellir as a area asserts the cultural and historical independence and solidarity of Iceland. It was either this. This was really brought home to me on my return journey from Reykjavik. Through economic necessity (not helped by a plummeting pound making foreign travel more expensive), I flew to and from Iceland via Belfast International Airport. It ta...

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About – whoyayaya

https://whoyayaya.wordpress.com/about

A blog on archaeology, objects and their interpretation. I’m Richard Kendall, graduate from Oxford and UCL in classical archaeology. I’ve worked on a number of archaeological sites and museums around the world, and, with a strong interest in both silent cinema and twentieth-century world literature, you could be forgiven for thinking that I tend to live in the past. Blog at WordPress.com. British silent film festival. Celebrating the art of silent film. The Oxford Silent Film Society. Parrots Ate Them All.

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False Narratives – whoyayaya

https://whoyayaya.wordpress.com/2016/11/12/false-narratives

A blog on archaeology, objects and their interpretation. Oscar Wilde said, wrongly, ‘there is only one thing worse than being talked about, and that is not to be talked about’. I think in our times of the unexpected becoming the normal, this adage needs an update: ‘there is only one thing worse than it is happening, and that is us failing to learn from what’s happening’. 8211; that has survived the government’s cuts to other, less geographically fortunate boroughs in the country (coincidentally, it...

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October 30th, 2016 – whoyayaya

https://whoyayaya.wordpress.com/2016/10/30/october-30th-2016

A blog on archaeology, objects and their interpretation. October 30th, 2016. I don’t want to get overdramatic, but are we actually witnessing the end of the world? If Trump wins on 8th November… well. I haven’t got anything to say. Have any of us? 8216;If Margaret Thatcher is re-elected as prime minister on Thursday, I warn you. I warn you that you will have pain when healing and relief depend upon payment. I warn you not to go into the streets alone after dark or into the streets in large crowds of prot...

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Richard Kendall – whoyayaya

https://whoyayaya.wordpress.com/author/richardgllkendall

A blog on archaeology, objects and their interpretation. Anti-clockwise; Power and Protection: Islamic Art and the Supernatural at the Ashmolean Museum. January 14, 2017. January 14, 2017. 2016 is over – loudly sing cuckoo! 2017, however, doesn’t show any great sign of improvement thus far though – Trump (remember him? Is still going to become President, Brexit (what that? January 13, 2017. You sockdologizing old man-trap. November 22, 2016. November 22, 2016. November 21, 2016. November 21, 2016. Fantas...

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September 2016 – whoyayaya

https://whoyayaya.wordpress.com/2016/09

A blog on archaeology, objects and their interpretation. Learning to Read: Or how one eight minute Youtube video taught me more than five years of university. September 14, 2016. September 14, 2016. 8216;We Want Your Feedback’. September 1, 2016. September 7, 2016. Richard Kendall and whoyayaya, 2016. Unauthorized use and/or duplication of original material published on this site without express and written permission from this site’s author and/or owner is strictly prohibited. Blog at WordPress.com.

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July 2016 – whoyayaya

https://whoyayaya.wordpress.com/2016/07

A blog on archaeology, objects and their interpretation. Minsogna Saracina: Storms, Wars and Shipwrecks exhibition at the Ashmolean. July 31, 2016. August 8, 2016. Richard Kendall and whoyayaya, 2016. Unauthorized use and/or duplication of original material published on this site without express and written permission from this site’s author and/or owner is strictly prohibited. Create a free website or blog at WordPress.com. British silent film festival. Celebrating the art of silent film.

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November 2016 – whoyayaya

https://whoyayaya.wordpress.com/2016/11

A blog on archaeology, objects and their interpretation. You sockdologizing old man-trap. Abraham Lincoln was killed laughing. We must pray the same fate doesn’t befall us. November 22, 2016. November 22, 2016. November 21, 2016. November 21, 2016. Fantastic Voyage: Musik und Politik. November 17, 2016. Oscar Wilde said, wrongly, ‘there is only one thing worse than being talked about, and that is not to be talked about’. I think in our times of the unexpected becoming the normal, this ada...Richard Kenda...

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hineni hinecha

Because all that is invisible remains’. As part of the Ashmolean Museum’s LiveFriday series, Marta Arnaldi will be performing at Under the Sea on Friday 9 September, which explores Shakespeare’s shipwrecks on the anniversary of his death. The Ashmolean Museum’s latest exhibition, ‘Storms, Wars and Shipwrecks: Treasures from the Sicilian Seas’, transforms Sicily from a fixed point in the sea to a story of journeys and encounters, specifically those that failed… Read More The Saracen Lie. The Barbican in L...

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