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JPAM – Management for CreativesTheatre, Opera, Dance International Agency
http://www.joprobitts.com/
Theatre, Opera, Dance International Agency
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Jo Probitts Arts Management
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Jo Probitts Arts Management
Joanne Probitts
57 P●●●●Hill
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UNITED KINGDOM
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JPAM – Management for Creatives | joprobitts.com Reviews
https://joprobitts.com
Theatre, Opera, Dance International Agency
Michael Popper
https://joprobitts.com/page16.html
Michael Popper has a multi-. Faceted career, creating and performing works in the fields of dance, music, and theatre. An accomplished director, choreographer, singer, actor, and dancer, his work reveals an ongoing interest in the breaking-. Down of barriers between the art forms. He is committed to the collaborative processes, and creates work with composers,. Directors, film makers, and writers. His independent works have been presented in theatres, art galleries and public spaces around Europe.
Roxana Vilk
https://joprobitts.com/page17.html
Roxana is a film and theatre director, writer, performer and musician. Educated at the Edinburgh College of Art in Fine Arts In Film, and at Edinburgh University, she also trained at Ecole International de Theatre Jacques Lecoq, Paris. Her film work has taken her to some of the most troubled parts of the globe. Works include Iranian Enough? Ommissioned by Reel Festivals and funded by Creative Scotland Vital Sparks to create three experimental film works in Beirut in response to a festival of Scottish and...
Rodula Gaitanou
https://joprobitts.com/page23.html
Athens born, Paris trained, London based opera director. Recent productions include: Cosi fan tutte and Cenerentola for the Greek National Opera; L'isola disabitata for the Royal Opera House -. Covent Garden and Hobart Baroque; San Giovanni Battista and The Cooper for Guidhall School of Music and Drama; The Bartered Bride for British Youth Opera; Betrothal in a Monastery for RCS/Scottish Opera; a new version of Carmen at London's King’s Head; Dichterliebe in the ROH Linbury Studio; a site-. For 2016 Rodu...
Steve Howell
https://joprobitts.com/page27.html
Steve studied at the University College of Wales and the Bristol Old Vic Theatre School. He began his professional career at the Theatre Royal, York before moving to Salisbury Playhouse, where he was Head of Design for a number of years. During this time he designed sets and costumes for over 80 productions including classic dramas, contemporary works, musicals and world premieres. He has designed operas for the Dorset Opera Festival -. Il Trovatore, Suor Angelica.
Loren Elstein
https://joprobitts.com/page22.html
Trained at NIDA in Sydney where her design for ‘Loot’ secured her the Australian Production Design Guild Award for Best Design and the William Fletcher Foundation Grant for Excellence in Design 2013. Recent designs: Pia de Tolomei. For English Touring Opera for 2016 Spring season directed by James Conway, The Water Palace. Directed by Sam Brown for the Tête à Tête and circus show Polymer. For the Udderbelly Festival. On Southbank Directed by Lina Johansson. Work includes: A Room of Her Own.
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Jóvenes Pro Arte en Armenia. Miércoles, 27 de abril de 2011. La importancia de una Alianza por la Niñez y Juventud. 191;Quiénes son los que le dan espíritu a la Semana Santa? 191;Los que alegran las tardes de los parques? La juventud latinoamericana mantiene vivo el legado de nuestro continente. Es tan amplia, tan diversa, tan fogosa, tan inquieta, que representa la vida de nuestra tierra y la inmortalidad de nuestra historia. Pero, ¿basta con reconocerlo? Ahora pregunto: ¿Quiénes son los responsabl...
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Battery Changing Solutions For Your Applications. February 25, 2015. March 16, 2015. Jopro Asia Pte Ltd. Offers complete battery room solutions in Asia Pacific,. With focus on a battery handler. Let us help you design your battery changing and charging solution! Jopro can also, directly through our network of partners, provide floor coating specialized for battery rooms, exhaustion fans. Blog at WordPress.com. The Big Brother Theme. Blog at WordPress.com. The Big Brother Theme.
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