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Home | leedshaydnplayers.org.uk Reviews
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Chris Pelly
http://leedshaydnplayers.org.uk/page41.html
Chris Pelly is a graduate of Leeds University, where he studied a BA in Music (majoring in performance as a trumpeter) and a Post Graduate Diploma in Performance (as a tenor). He has been conducting since age 15 and has a wide range of conducting experience. While at university he conducted three fully staged opera productions with the Leeds University Union Opera Society:.
July 2nd concert
http://leedshaydnplayers.org.uk/page24.html
Is a cellist, conductor, teacher and musicologist. He studied at the universities of Newcastle and Oxford, the Guildhall School of Music, the Salzburg Mozarteum and the University of Leeds. Is a Polish violinist, well known busker and performer. She has been performing since the age of six when she was a student at a specialist music school in Koszalin, Poland. To continue her studies she moved to England in 2008 to study Music Performance at the University of Leeds. 2nd July 2011 7.30pm.
About Us
http://leedshaydnplayers.org.uk/page2.html
Is a chamber orchestra formed with the aim of exploring the whole of Haydns great symphonic repertoire, with the possible future inclusion of quartets, divertimenti and so on. Some of this is hardly known, some of it well-known, so it should be an interesting orchestral journey for players and listeners alike. We are a mix of professional and committed amateur players. We pay to play! I love Haydn, not for any great intellectual reason. I just like him. I come out feeling better than I went in...Ellio...
5th Dec 2015
http://leedshaydnplayers.org.uk/page4.html
December at 7.30pm at Ashville College. Mozart Overture Cosi fan tutte. Mozart Piano concerto No 23 in A major K 488. Haydn Symphony No 91 in Eb. Chris Pelly is a graduate of Leeds University, where he studied a BA in Music (majoring in performance as a trumpeter) and a Post Graduate Diploma in Performance (as a tenor). He has been conducting since age 15 and has a wide range of conducting experience. MOZART OVERTURE TO COSI FAN TUTTE. MOZART PIANO CONCERTO NO 23 K488. Bernard Haitink has said that the s...
Oct 9th 2011 concert review
http://leedshaydnplayers.org.uk/page29.html
Beethoven Romance in F for violin and orchestra. Haydn Symphony No 99. Beethoven Symphony No 1. Leeds Haydn Players own resident critic says : The last concert, on 9th October 2011, was very much enjoyed by both orchestra and audience. Audience members since then, have made a point of saying how much they enjoyed the concert and others have sent emails saying the same. So its safe to say that everyone enjoyed themselves. Beethovens first Symphony completed the concert. Very different and yet very sim...
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Without Barlines: Notation and Scoring Ideas (or: Dealing with One-‘Note’ Music)
http://withoutbarlines.blogspot.com/2014/04/notation-and-scoring-ideas-or-dealing.html
Taking a non-partitioned look at musical life. Notation and Scoring Ideas (or: Dealing with One-‘Note’ Music). Most significantly the call made me think carefully about developing features of my work that I simply haven’t got round to scrutinising in any particularly useful way. What follows is, roughly speaking, the mental journey I’ve subsequently taken and, I hasten to add, not finished. What is a musical idea? A sound or series of sounds (what often gets called ‘material’)? What is musical notation?
Without Barlines: Some thoughts on open notation and late-stage collaboration
http://withoutbarlines.blogspot.com/2013/12/some-thoughts-on-open-notation-and-late.html
Taking a non-partitioned look at musical life. Some thoughts on open notation and late-stage collaboration. Anyone who’s followed this blog (or anyone in the wake of my tirade of shameless self-promotion over the last couple of weeks) will probably be aware that my newest work, Personal Space. Receives its premiere this weekend. As you might imagine, the gears have been stepping-up as ‘the big day’ approaches and now we’re in the full throws of final preparations. What am I talking about? Immediately I w...
Without Barlines: An Introduction: Doing Music & Being a Musician
http://withoutbarlines.blogspot.com/2013/07/an-introduction-doing-music-being.html
Taking a non-partitioned look at musical life. An Introduction: Doing Music and Being a Musician. Welcome to my new blog, Without Barlines. This is all well and good, but I doubt it would be much use to me (or anybody else) to consider any of this in isolation. I’ve recently started working as a copyist for composer Nigel Morgan. Speaking of orchestration and conducting, I’ve had some wonderful experiences with the band Starling. I am a musician. I do. Music And, crucially, I believe that music does.
Without Barlines: Space for Music
http://withoutbarlines.blogspot.com/2013/10/space-for-music.html
Taking a non-partitioned look at musical life. The ever-decreasing space I’ve had for music. Lately I’ve been both fortunate and unfortunate in equal measure. I’ve taken up a new job – an exciting and stimulating job that has me working in the music industry full-time; I’ve managed to find myself a new home; I’m working on a commission from the London Sinfonietta. For a solo double bass piece to be premiered at the Southbank Centre in December. An invitation to find new musical space. The central ideas I...
Without Barlines: Audiences and Openness
http://withoutbarlines.blogspot.com/2014/09/audiences-and-openness.html
Taking a non-partitioned look at musical life. Now here’s a contentious topic: the relationship between music and audiences. Cue all kinds of stereotyping, wild generalisations, radical rejections, stalwart traditionalism and utter confusion. I mentioned in my introductory post on openness. I’m going to pose lots of questions – implicitly if not explicitly. I’m not sure I have answers to them and, if I do, I’m not sure how long they’ll remain relevant. An audience (a...The Industry and its Institutions.
Without Barlines: August 2013
http://withoutbarlines.blogspot.com/2013_08_01_archive.html
Taking a non-partitioned look at musical life. Review: 'A Whispered Shout' (or Beer, Sandwiches and Experimental Music). Last weekend (3 August) I had the pleasure of experiencing A Whispered Shout. Described by its organiser as ‘an afternoon of contemporary and experimental music featuring a wide variety of different sounds and approaches’. Indeed! A B(l)ack Room in South London. I should begin by saying something about the venue. Matthew’sYard. Subscribe to: Posts (Atom). Opening-up to Openness in Music.
Without Barlines: July 2013
http://withoutbarlines.blogspot.com/2013_07_01_archive.html
Taking a non-partitioned look at musical life. An Introduction: Doing Music and Being a Musician. Welcome to my new blog, Without Barlines. Subscribe to: Posts (Atom). Essays on Urban Life - Some photography by Adam Fergler. An Introduction: Doing Music and Being a Musician. Review: 'A Whispered Shout' (or Beer, Sandwiches and Experimental Music). Review: Workers Union Ensemble at LSO St Lukes and Michael Bonaventure's Automatronic Concert at St Laurence's, Catford. Opening-up to Openness in Music.
Without Barlines: August 2014
http://withoutbarlines.blogspot.com/2014_08_01_archive.html
Taking a non-partitioned look at musical life. Opening-up to Openness in Music. Since putting the word ‘openness’ in my Twitter bio I’ve been asked on numerous occasions, online and in person, what I mean by this. In fairness, the idea’s been gathering steam in my compositional practice over the last couple of years, so I’ve been discussing the matter on the back of other mentions, too. Subscribe to: Posts (Atom). Essays on Urban Life - Some photography by Adam Fergler. Opening-up to Openness in Music.
Without Barlines: September 2014
http://withoutbarlines.blogspot.com/2014_09_01_archive.html
Taking a non-partitioned look at musical life. Now here’s a contentious topic: the relationship between music and audiences. Cue all kinds of stereotyping, wild generalisations, radical rejections, stalwart traditionalism and utter confusion. I mentioned in my introductory post on openness. I’m going to pose lots of questions – implicitly if not explicitly. I’m not sure I have answers to them and, if I do, I’m not sure how long they’ll remain relevant. An audience (a...Subscribe to: Posts (Atom). Review:...
Adam Fergler » Links
http://adamfergler.eu/links
8212; Main Menu —. Testimonials & Reviews. Concert Music & Performance Pieces. Arrangement & Orchestration. Editing & Typesetting. News & Events. Testimonials & Reviews. Concert Music & Performance Pieces. Arrangement & Orchestration. Editing & Typesetting. News & Events. Central Saint Marin’s (University of the Arts London). Forum of Composers and Musicians. Leeds University Union Music Society. Other Colleagues and Collaborators. Not a bad spot to wake up and have breakfast https:/ t.co/I0TkW7oQq9.
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