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Liz Benjeddi Textile Art

Liz Benjeddi Textile Art. Sunday, 1 June 2014. Module 3 Chapter 3 (page 28). Module 3 Chapter 3. I used decorative stitch patterns to cover a space dyed piece of calico, going across the diagonal. I cut this on the bias and used straight stitch to attach the bias strip to the background (dark pink). Once the edging was in place, I used an automatic stitch pattern of flowers in orange and zig zag stitch in a dark pink to create a sense of continuity. Bound edge with pin tucks. For this sample, I placed a ...

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Liz Benjeddi Textile Art | lizbenjeddi.blogspot.com Reviews

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Liz Benjeddi Textile Art. Sunday, 1 June 2014. Module 3 Chapter 3 (page 28). Module 3 Chapter 3. I used decorative stitch patterns to cover a space dyed piece of calico, going across the diagonal. I cut this on the bias and used straight stitch to attach the bias strip to the background (dark pink). Once the edging was in place, I used an automatic stitch pattern of flowers in orange and zig zag stitch in a dark pink to create a sense of continuity. Bound edge with pin tucks. For this sample, I placed a ...

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6 sample 2

7 sample 3

8 sample 4

9 corded edges

10 sample 5

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Liz Benjeddi Textile Art | lizbenjeddi.blogspot.com Reviews

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Liz Benjeddi Textile Art. Sunday, 1 June 2014. Module 3 Chapter 3 (page 28). Module 3 Chapter 3. I used decorative stitch patterns to cover a space dyed piece of calico, going across the diagonal. I cut this on the bias and used straight stitch to attach the bias strip to the background (dark pink). Once the edging was in place, I used an automatic stitch pattern of flowers in orange and zig zag stitch in a dark pink to create a sense of continuity. Bound edge with pin tucks. For this sample, I placed a ...

INTERNAL PAGES

lizbenjeddi.blogspot.com

1

Liz Benjeddi Textile Art: FAQs

http://lizbenjeddi.blogspot.com/p/faqs.html

Liz Benjeddi Textile Art. Subscribe to: Posts (Atom). My other blog - Little Nature Designs. I'm currently studying a Machine Embroidery course with DistantStitch. I'm currently working through Module 2 and am enjoying experimenting with lots of different coloured fabrics and threads! Module 3 Chapter 3 (page 28). View my complete profile. Awesome Inc. template. Powered by Blogger.

2

Liz Benjeddi Textile Art: February 2012

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Liz Benjeddi Textile Art. Wednesday, 15 February 2012. Module 2 Chapter 2 - Making Patterns (page 17). I collected patterns from craft papers that I already had tucked away in boxes. I particularly like the patterns on these Japanese papers. These papers are textured and some of the patterns show symmetry (reflective and rotational). Patterns collected from browsing through various magazines. I like the way that the vertical pattern of stripes contrasts with the horizontal set below. I cut the printing b...

3

Liz Benjeddi Textile Art: October 2012

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Liz Benjeddi Textile Art. Monday, 29 October 2012. Module 2 Chapter 6 (page 21). Soft and Fluffy (above). Smooth and Shiny (above and aubergine below). Soft and Smooth (above). Coarse and Rough (above). Sharp and Spiky (above). Word Bank to describe texture. Silky, smooth, fluffy, spiky, rough, rumpled, feathery, coarse, crunchy, creased, knobbled, bushy, cratered, dusty, dry, grooved, fuzzy, bouncy, glassy, puffy, moist, woolly. I'm sure I'll think of more to add as time goes by! Leaves in Autumn (front).

4

Liz Benjeddi Textile Art: May 2012

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Liz Benjeddi Textile Art. Sunday, 20 May 2012. Module 2 Chapter 4 (page 19). Cable stitch with the presser foot on. I used a variety of different threads for this sample:. A light blue Anchor hand embroidery thread. A thin, variegated purple wool. A thicker, textured purple wool. A mid-blue blue hand-dyed linen thread. A bright green Wonderfil thread (Razzle No.250, wt 8). Metallic thread ( Wonderfil Dazzle No. 941, wt 8). Madeira Glamour thread Col. 2070. And in the picture below. Purple wool (I liked t...

5

Liz Benjeddi Textile Art: Module 3 Chapter 2 (Page 27)

http://lizbenjeddi.blogspot.com/2013/11/module-3-chapter-2-page-27.html

Liz Benjeddi Textile Art. Sunday, 10 November 2013. Module 3 Chapter 2 (Page 27). Module 3 Chapter 2. Cut edges - straight. I looked through the collection of images I made for chapter 1 and liked this image of a dragonfly (below). I copied the triangle pattern on the body to use as a basis for my design. I made a stamp of the same shape and printed a crinkled piece of blue silk with gold fabric paint, using a random print effect. For sample 4, I went back to the Chinese kite that I also used for sample ...

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indigojan: February 2015

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Janet Crowther freelance teacher and textile artist. Thursday, 5 February 2015. I have been working on the 'People Series' for a long time. These are the ones to date. These two were experimental pieces. Which were restitched in a line. The latest ideas at the drawing stage. Subscribe to: Posts (Atom). Liz Benjeddi Textile Art. View my complete profile. Picture Window template. Powered by Blogger.

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indigojan: August 2011

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Janet Crowther freelance teacher and textile artist. Friday, 26 August 2011. A closeup from Pieced and Patched bag. The importance of colour in a piece of work can never be underestimated. This a from a letter from Vincent Van Gogh to his brother Theo. At that is all - there is nothing in this room with closed shutters.'. Follow that with 'Open your mind, open your imagination' and you will see where I am coming from! Labels: Module One Colour. Monday, 22 August 2011. Based on Yoraba beaded headdresses.

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indigojan: October 2011

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Janet Crowther freelance teacher and textile artist. Sunday, 16 October 2011. I seem to have spent the last few weeks like that poor fellow in the sculpture in St David's Cathedral. But life seems to be a bit clearer now. So it's back to work. Just like these chaps on a misericord in St David's. In the DS course I do go on a bit about students drawing! I think it helps you to 'see' and to 'think', before you stitch. But so many students say that they can't draw! It was one of those truly magic moments.

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indigojan: Colour

http://indigojan.blogspot.com/2011/08/colour.html

Janet Crowther freelance teacher and textile artist. Friday, 26 August 2011. A closeup from Pieced and Patched bag. The importance of colour in a piece of work can never be underestimated. This a from a letter from Vincent Van Gogh to his brother Theo. At that is all - there is nothing in this room with closed shutters.'. Follow that with 'Open your mind, open your imagination' and you will see where I am coming from! Labels: Module One Colour. 31 August 2011 at 04:06. Subscribe to: Post Comments (Atom).

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indigojan: September 2011

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Janet Crowther freelance teacher and textile artist. Friday, 23 September 2011. Carving in St David's Cathedral, Pembrokeshire. Don't we all feel like this sometimes? I am now back from Wales and have had a quick look at your blogs. I can see some really good work. I will send messages on Monday as I am off to Urchfont. Manor for the first weekend of the 'face to face' C and G Level 2 Machine Embroidery course. Thursday, 1 September 2011. This was the first piece of work I tried, using the embellisher.

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indigojan: Fading Glory - Why the Trees are Blue

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Janet Crowther freelance teacher and textile artist. Monday, 7 July 2014. Fading Glory - Why the Trees are Blue. For five months I have been dyeing and stitching, weaving and assembling six large pieces for exhibition at the National Trust house, Knole, in Sevenoaks, Kent. The work is based on the life of the woven tapestries at Knole and other stately establishments. This afternoon the work was hung in the Orangery at Knole. Subscribe to: Post Comments (Atom). Liz Benjeddi Textile Art.

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indigojan: December 2011

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Janet Crowther freelance teacher and textile artist. Friday, 23 December 2011. And very best wishes for a creative New Year. I knew I would be hopeless at blogging! Perhaps trying harder should be a New Year's resolution. Subscribe to: Posts (Atom). Liz Benjeddi Textile Art. View my complete profile. Seasons Greetingsand very best wishes for a creat. Picture Window template. Powered by Blogger.

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indigojan

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Janet Crowther freelance teacher and textile artist. Friday, 23 December 2011. And very best wishes for a creative New Year. I knew I would be hopeless at blogging! Perhaps trying harder should be a New Year's resolution. Subscribe to: Post Comments (Atom). Liz Benjeddi Textile Art. View my complete profile. Seasons Greetingsand very best wishes for a creat. Picture Window template. Powered by Blogger.

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indigojan: July 2014

http://indigojan.blogspot.com/2014_07_01_archive.html

Janet Crowther freelance teacher and textile artist. Monday, 7 July 2014. Fading Glory - Why the Trees are Blue. For five months I have been dyeing and stitching, weaving and assembling six large pieces for exhibition at the National Trust house, Knole, in Sevenoaks, Kent. The work is based on the life of the woven tapestries at Knole and other stately establishments. This afternoon the work was hung in the Orangery at Knole. Subscribe to: Posts (Atom). Liz Benjeddi Textile Art. View my complete profile.

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indigojan

http://indigojan.blogspot.com/2011/10/i-seem-to-have-spent-last-few-weeks.html

Janet Crowther freelance teacher and textile artist. Sunday, 16 October 2011. I seem to have spent the last few weeks like that poor fellow in the sculpture in St David's Cathedral. But life seems to be a bit clearer now. So it's back to work. Just like these chaps on a misericord in St David's. In the DS course I do go on a bit about students drawing! I think it helps you to 'see' and to 'think', before you stitch. But so many students say that they can't draw! It was one of those truly magic moments.

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Liz Benjeddi Textile Art

Liz Benjeddi Textile Art. Sunday, 1 June 2014. Module 3 Chapter 3 (page 28). Module 3 Chapter 3. I used decorative stitch patterns to cover a space dyed piece of calico, going across the diagonal. I cut this on the bias and used straight stitch to attach the bias strip to the background (dark pink). Once the edging was in place, I used an automatic stitch pattern of flowers in orange and zig zag stitch in a dark pink to create a sense of continuity. Bound edge with pin tucks. For this sample, I placed a ...

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