maritimeart-gary.blogspot.com

Don't Rock My Boat

Don't Rock My Boat. My work is influenced by 18th and 19th century maritime exploration, which I find exceedingly inspiring. Much of my work is associated with the deceitfulness and trauma of the sea, most notably in the form of shipwrecks. I see myself as a traditional photographer, much of my work is to do with re-documenting the past, which is why I shoot with film, rather than digital. Tuesday, 23 March 2010. Http:/ www.garymeynell.com/. Tuesday, 26 May 2009. Dungeness ll and lll. Sergio Leone in Kent.

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Don't Rock My Boat | maritimeart-gary.blogspot.com Reviews

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Don't Rock My Boat. My work is influenced by 18th and 19th century maritime exploration, which I find exceedingly inspiring. Much of my work is associated with the deceitfulness and trauma of the sea, most notably in the form of shipwrecks. I see myself as a traditional photographer, much of my work is to do with re-documenting the past, which is why I shoot with film, rather than digital. Tuesday, 23 March 2010. Http:/ www.garymeynell.com/. Tuesday, 26 May 2009. Dungeness ll and lll. Sergio Leone in Kent.

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Don't Rock My Boat | maritimeart-gary.blogspot.com Reviews

https://maritimeart-gary.blogspot.com

Don't Rock My Boat. My work is influenced by 18th and 19th century maritime exploration, which I find exceedingly inspiring. Much of my work is associated with the deceitfulness and trauma of the sea, most notably in the form of shipwrecks. I see myself as a traditional photographer, much of my work is to do with re-documenting the past, which is why I shoot with film, rather than digital. Tuesday, 23 March 2010. Http:/ www.garymeynell.com/. Tuesday, 26 May 2009. Dungeness ll and lll. Sergio Leone in Kent.

INTERNAL PAGES

maritimeart-gary.blogspot.com

1

Don't Rock My Boat: Kent revisited

http://www.maritimeart-gary.blogspot.com/2009/02/kent-revisited_09.html

Don't Rock My Boat. My work is influenced by 18th and 19th century maritime exploration, which I find exceedingly inspiring. Much of my work is associated with the deceitfulness and trauma of the sea, most notably in the form of shipwrecks. I see myself as a traditional photographer, much of my work is to do with re-documenting the past, which is why I shoot with film, rather than digital. Monday, 9 February 2009. Subscribe to: Post Comments (Atom). View my complete profile. Vivitar ultra wide and slim.

2

Don't Rock My Boat: White Verse lll

http://www.maritimeart-gary.blogspot.com/2009/04/white-verse-lll.html

Don't Rock My Boat. My work is influenced by 18th and 19th century maritime exploration, which I find exceedingly inspiring. Much of my work is associated with the deceitfulness and trauma of the sea, most notably in the form of shipwrecks. I see myself as a traditional photographer, much of my work is to do with re-documenting the past, which is why I shoot with film, rather than digital. Wednesday, 22 April 2009. Subscribe to: Post Comments (Atom). View my complete profile. Vivitar ultra wide and slim.

3

Don't Rock My Boat: Sandwich XVl

http://www.maritimeart-gary.blogspot.com/2009/03/sandwich-xvl.html

Don't Rock My Boat. My work is influenced by 18th and 19th century maritime exploration, which I find exceedingly inspiring. Much of my work is associated with the deceitfulness and trauma of the sea, most notably in the form of shipwrecks. I see myself as a traditional photographer, much of my work is to do with re-documenting the past, which is why I shoot with film, rather than digital. Friday, 27 March 2009. Labels: Old photo from sandwich series. Found again. Subscribe to: Post Comments (Atom).

4

Don't Rock My Boat

http://www.maritimeart-gary.blogspot.com/2010/03/www.html

Don't Rock My Boat. My work is influenced by 18th and 19th century maritime exploration, which I find exceedingly inspiring. Much of my work is associated with the deceitfulness and trauma of the sea, most notably in the form of shipwrecks. I see myself as a traditional photographer, much of my work is to do with re-documenting the past, which is why I shoot with film, rather than digital. Tuesday, 23 March 2010. Http:/ www.garymeynell.com/. Subscribe to: Post Comments (Atom). View my complete profile.

5

Don't Rock My Boat

http://www.maritimeart-gary.blogspot.com/2009/02/ballad-of-heart-broken-boat.html

Don't Rock My Boat. My work is influenced by 18th and 19th century maritime exploration, which I find exceedingly inspiring. Much of my work is associated with the deceitfulness and trauma of the sea, most notably in the form of shipwrecks. I see myself as a traditional photographer, much of my work is to do with re-documenting the past, which is why I shoot with film, rather than digital. Sunday, 8 March 2009. Subscribe to: Post Comments (Atom). View my complete profile. Vivitar ultra wide and slim.

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thevanityshowpresents.blogspot.com

'All This Time' The Vanity Show Presents

http://thevanityshowpresents.blogspot.com/2008/10/blog-post_6289.html

Tuesday, October 28, 2008. Subscribe to: Post Comments (Atom). Vase of Pre-History 2. Jump For My Love. Four Final Photographs: The Uncanny Predominance o. Rococo Plain: Black Painting No.1. Querus Condio part one. I Came, I Saw, I Crawled. Eternally In The Presence. View my complete profile.

thevanityshowpresents.blogspot.com

'All This Time' The Vanity Show Presents: Bolder

http://thevanityshowpresents.blogspot.com/2008/11/bolder.html

Tuesday, November 4, 2008. Labels: A Stanbridge and Hutt Film. Subscribe to: Post Comments (Atom). Apperartus For Understanding Human Emotion. View my complete profile.

thevanityshowpresents.blogspot.com

'All This Time' The Vanity Show Presents: Fabric

http://thevanityshowpresents.blogspot.com/2008/10/fabric.html

Tuesday, October 28, 2008. Subscribe to: Post Comments (Atom). Vase of Pre-History 2. Jump For My Love. Four Final Photographs: The Uncanny Predominance o. Rococo Plain: Black Painting No.1. Querus Condio part one. I Came, I Saw, I Crawled. Eternally In The Presence. View my complete profile.

thevanityshowpresents.blogspot.com

'All This Time' The Vanity Show Presents: I Came, I Saw, I Crawled

http://thevanityshowpresents.blogspot.com/2008/10/past-drives-future-sounds-of-chorus-of.html

Saturday, October 25, 2008. I Came, I Saw, I Crawled. Past drives the future, the sounds of the chorus of life displaced and distorted, shrouds that inner unspoken moment. Labels: A Taylor and Cardoso Film. Subscribe to: Post Comments (Atom). Vase of Pre-History 2. Jump For My Love. Four Final Photographs: The Uncanny Predominance o. Rococo Plain: Black Painting No.1. Querus Condio part one. I Came, I Saw, I Crawled. Eternally In The Presence. View my complete profile.

thevanityshowpresents.blogspot.com

'All This Time' The Vanity Show Presents: September 2008

http://thevanityshowpresents.blogspot.com/2008_09_01_archive.html

Sunday, September 14, 2008. 8216;All This Time’ is The Vanity Group's second show at The Crypt - St Pancras Church. In 2007 The Vanity Group used this space as a stall to set out their wares, observing the time honored traditions of gallery and art. This time however the exhibition will be site specific, interweaving the personal archaeology's of the artists with the archaeology of contemporary society and the physical archaeology of the space. Subscribe to: Posts (Atom). View my complete profile.

thevanityshowpresents.blogspot.com

'All This Time' The Vanity Show Presents

http://thevanityshowpresents.blogspot.com/2008/09/all-this-time-is-vanity-groups-second.html

Sunday, September 14, 2008. 8216;All This Time’ is The Vanity Group's second show at The Crypt - St Pancras Church. In 2007 The Vanity Group used this space as a stall to set out their wares, observing the time honored traditions of gallery and art. This time however the exhibition will be site specific, interweaving the personal archaeology's of the artists with the archaeology of contemporary society and the physical archaeology of the space. Subscribe to: Post Comments (Atom). View my complete profile.

thevanityshowpresents.blogspot.com

'All This Time' The Vanity Show Presents: Rococo Plain: Black Painting No.1

http://thevanityshowpresents.blogspot.com/2008/10/rococo-plain-black-painting-no1.html

Tuesday, October 28, 2008. Rococo Plain: Black Painting No.1. Subscribe to: Post Comments (Atom). Vase of Pre-History 2. Jump For My Love. Four Final Photographs: The Uncanny Predominance o. Rococo Plain: Black Painting No.1. Querus Condio part one. I Came, I Saw, I Crawled. Eternally In The Presence. View my complete profile.

thevanityshowpresents.blogspot.com

'All This Time' The Vanity Show Presents: Jump For My Love

http://thevanityshowpresents.blogspot.com/2008/10/jump-for-my-love.html

Wednesday, October 29, 2008. Jump For My Love. Subscribe to: Post Comments (Atom). Vase of Pre-History 2. Jump For My Love. Four Final Photographs: The Uncanny Predominance o. Rococo Plain: Black Painting No.1. Querus Condio part one. I Came, I Saw, I Crawled. Eternally In The Presence. View my complete profile.

thevanityshowpresents.blogspot.com

'All This Time' The Vanity Show Presents: Apperartus For Understanding Human Emotion

http://thevanityshowpresents.blogspot.com/2008/11/apperartus-for-understanding-human.html

Tuesday, November 4, 2008. Apperartus For Understanding Human Emotion. Subscribe to: Post Comments (Atom). Apperartus For Understanding Human Emotion. View my complete profile.

thevanityshowpresents.blogspot.com

'All This Time' The Vanity Show Presents: Wind Up Spider

http://thevanityshowpresents.blogspot.com/2008/10/wind-up-spider.html

Wednesday, October 29, 2008. Subscribe to: Post Comments (Atom). Vase of Pre-History 2. Jump For My Love. Four Final Photographs: The Uncanny Predominance o. Rococo Plain: Black Painting No.1. Querus Condio part one. I Came, I Saw, I Crawled. Eternally In The Presence. View my complete profile.

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Don't Rock My Boat

Don't Rock My Boat. My work is influenced by 18th and 19th century maritime exploration, which I find exceedingly inspiring. Much of my work is associated with the deceitfulness and trauma of the sea, most notably in the form of shipwrecks. I see myself as a traditional photographer, much of my work is to do with re-documenting the past, which is why I shoot with film, rather than digital. Tuesday, 23 March 2010. Http:/ www.garymeynell.com/. Tuesday, 26 May 2009. Dungeness ll and lll. Sergio Leone in Kent.

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