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Matthew Usinowicz

Bad Hot Dog (Overheated, Burnt, and Gasping). 2017. The objects, materials, and processes of my everyday life influence my practice. Conceptually drawn to social politics and the physical accumulation of stuff, with a specific interest in the relationship between humans and objects, my work is a hybrid of sculptures and paintings, existing together as objects. I use these fabricated objects as humorous, allegorical means of telling a story. Title="Share on Facebook" class="facebook-btn" Share on Facebook.

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Bad Hot Dog (Overheated, Burnt, and Gasping). 2017. The objects, materials, and processes of my everyday life influence my practice. Conceptually drawn to social politics and the physical accumulation of stuff, with a specific interest in the relationship between humans and objects, my work is a hybrid of sculptures and paintings, existing together as objects. I use these fabricated objects as humorous, allegorical means of telling a story. Title=Share on Facebook class=facebook-btn Share on Facebook.
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Matthew Usinowicz | matthewusinowicz.com Reviews

https://matthewusinowicz.com

Bad Hot Dog (Overheated, Burnt, and Gasping). 2017. The objects, materials, and processes of my everyday life influence my practice. Conceptually drawn to social politics and the physical accumulation of stuff, with a specific interest in the relationship between humans and objects, my work is a hybrid of sculptures and paintings, existing together as objects. I use these fabricated objects as humorous, allegorical means of telling a story. Title="Share on Facebook" class="facebook-btn" Share on Facebook.

INTERNAL PAGES

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Links - Matthew Usinowicz

http://matthewusinowicz.com/links

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Matthew Usinowicz

http://matthewusinowicz.com/home

I paint, draw, sculpt, build, cook, write, and try not to oversleep. Subscribe to my mailing list. Title="Share on Facebook" class="facebook-btn" Share on Facebook.

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CV - Matthew Usinowicz

http://matthewusinowicz.com/cv

Master of Fine Arts. University of California Santa Barbara. Bachelor of Fine Arts. San Francisco Art Institute. Selected Group and Solo Exhibitions. Open Mind Art Space, Los Angeles, CA. (forthcoming). Seventh Gallery, Melbourne, AUS. (forthcoming). With Sea Farm City, Los Angeles, CA. Curated by Matt Allison. Antenna Gallery - Room 220, New Orleans, LA. Merchants of Reality, San Francisco, CA. Elephant Gallery, Los Angeles, CA. CSU Long Beach, Long Beach, CA. Root Division, San Francisco, CA. UCIRA Min...

4

"When you're on time, you're late. When you're late... you're fucked." - Matthew Usinowicz

http://matthewusinowicz.com/when-youre-on-time-youre-late-when-youre

When you're on time, you're late. When you're late. you're fucked. Installation shot courtesy of Sam Scharf. Oil, acrylic, enamel, wax pencil on stretched canvas. 72in. X 60in. X 2.5in. Mahogany and steel. 60in. X 9.5in. X 4in. Mahogany and steel. 60in. X 9.5in. X 4in. Installation shot courtesy of Sam Scharf. Weight. (mop bucket reliefs). Concrete and enamel paint. Dimensions vary. Weight. (mop bucket reliefs). Installation shot courtesy of Sam Scharf. Is an exhibition focused on working a job.

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Left at Albuquerque. - Matthew Usinowicz

http://matthewusinowicz.com/left-at-albuquerque-

Wonder Valley (Mojave Desert), CA. Site Specific installation/ sculpture. Left at Albuquerque. (Buried Carrot.). Wonder Valley (Mojave Desert), CA. Site Specific installation/ sculpture. Wonder Valley (Mojave Desert), CA. Site Specific installation/ sculpture. Wonder Valley (Mojave Desert), CA. Site Specific installation/ sculpture. Wonder Valley (Mojave Desert), CA. Site Specific installation/ sculpture. In the weeks leading up to Spectacular Subdivisions. I roamed the streets.

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LINKS TO THIS WEBSITE

chandrabaerg.com chandrabaerg.com

Chandra Baerg

http://chandrabaerg.com/links.html

University of North Georgia, Department of Visual Arts.

samuelscharf.com samuelscharf.com

SAMUEL dylan SCHARF

http://samuelscharf.com/links.html

Greed, Money, Oil. It's All Fucking Green. We All Have Something In Common. Home, Sweat, Home. Growth @MLK Library D.C. Nothing is the Same. One in the Same. I See You (Public/Gallery). You Could Make That. On The Backs of Others. Kill or be Killed (A.D. Series). All the Pieces Fit (series). You Fucked, Fuck You. A Moment In Time, (e)merge. Believe What You May. Posts dedicated to my artistic practice, source material, studio work, and visual inspiration! Curatorial Project with Megan Mueller.

volume-exhibit.com volume-exhibit.com

v o l u m e

http://volume-exhibit.com/news.html

December 23, 2014. Spring 2015 volume is hosting TURF. Links for each artist are listed below. December 29, 2013. After a successful 2013 exhibition year, volume has scheduled 12 solo shows for 2014. Volume will now host monthly exhibitions, showcasing a different artist each month. As always, our past exhibitions will remain online in our permanent database. See calendar for details. October 11th, 2013. September 1st, 2013. New work by Jarrod Goldman. June 28th, 2013. New work from Aron Johnston. Will b...

elephantartspace.blogspot.com elephantartspace.blogspot.com

Elephant: July 2015

http://elephantartspace.blogspot.com/2015_07_01_archive.html

080115 - 08.31.15. Opening Saturday, August 8, 6-10pm. Gallery Hours: Saturdays and Sundays 1-4 pm. And by appointment: studio@jenaleeharmon.com. Pulsating forces crashing against our temples, all objects and space vibrate with a nauseating fourth dimensional steam. Scanning the room, we search for an anchor to balance the clashing forces between static and variable. Look Look. Survey. Each revolution condenses the field between watermark and space. Spot…Spot…Spot. 8220;Do we need a better prescription?

elephantartspace.blogspot.com elephantartspace.blogspot.com

Elephant: past exhibitionOrigins08.01.15 - 08.31.15

http://elephantartspace.blogspot.com/2015/07/upcoming-exhibition-origins-080115_25.html

080115 - 08.31.15. Opening Saturday, August 8, 6-10pm. Gallery Hours: Saturdays and Sundays 1-4 pm. And by appointment: studio@jenaleeharmon.com. Pulsating forces crashing against our temples, all objects and space vibrate with a nauseating fourth dimensional steam. Scanning the room, we search for an anchor to balance the clashing forces between static and variable. Look Look. Survey. Each revolution condenses the field between watermark and space. Spot…Spot…Spot. 8220;Do we need a better prescription?

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Matthew Usinowicz

Bad Hot Dog (Overheated, Burnt, and Gasping). 2017. The objects, materials, and processes of my everyday life influence my practice. Conceptually drawn to social politics and the physical accumulation of stuff, with a specific interest in the relationship between humans and objects, my work is a hybrid of sculptures and paintings, existing together as objects. I use these fabricated objects as humorous, allegorical means of telling a story. Title="Share on Facebook" class="facebook-btn" Share on Facebook.

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