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Saquib

I design wearable and tangible sensor networks, and model human interactions using mathematics. Using these tools, my aim is to build intelligent machines that empower individuals and human networks. My current research focuses on instrumentation of early childhood classrooms to sense social and educational interactions, and creating AI driven interventions based on such data. I utilize RF…

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Scientific Computing and Imaging Institute

Nazmus Saquib

72 S Cen●●●●●●●●us Drive

Roo●●●750

Salt ●●●●● City , Utah, 84112

UNITED STATES

718●●●885
nz●●●●●●●●@gmail.com

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Scientific Computing and Imaging Institute

Nazmus Saquib

72 S Cen●●●●●●●●us Drive

Roo●●●750

Salt ●●●●● City , Utah, 84112

UNITED STATES

718●●●885
nz●●●●●●●●@gmail.com

View this contact

Scientific Computing and Imaging Institute

Nazmus Saquib

72 S Cen●●●●●●●●us Drive

Roo●●●750

Salt ●●●●● City , Utah, 84112

UNITED STATES

718●●●885
nz●●●●●●●●@gmail.com

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Saquib | nsaquib.com Reviews

https://nsaquib.com

I design wearable and tangible sensor networks, and model human interactions using mathematics. Using these tools, my aim is to build intelligent machines that empower individuals and human networks. My current research focuses on instrumentation of early childhood classrooms to sense social and educational interactions, and creating AI driven interventions based on such data. I utilize RF…

INTERNAL PAGES

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1

A farewell note | Nazmus Saquib

https://nsaquib.com/2015/03/15/a-farewell-note

ব ন দ আম …. MIT Shenzhen Bootcamp: Navigation 101 →. March 15, 2015 · 10:25 pm. I usually have a hard time letting people go. Some friends and well-wishers told me that I don’t easily give in. I think they fail to realize that I do give in, only to my emotions. I know I will meet these people again, in some way or other, in strange circumstances. However, I know that it won’t spark the same emotion like the first time when we felt a bond. It will be a casual encounter. ব ন দ আম …. One response to “.

2

nano fiction: recursion | Nazmus Saquib

https://nsaquib.com/2013/02/16/nano-fiction-recursion

Social Dynamics of Terabithia. ব ন দ আম … →. February 16, 2013 · 7:07 pm. We can’t go on like this! 8221; – exclaimed one of them. An old man asked, “what do you suggest? 8220;Burn The Book! It is the source of all evil! The very first page contained the answer that human beings forever sought to know. Social Dynamics of Terabithia. ব ন দ আম … →. One response to “. April 9, 2015 at 7:23 am. LIKED IT VERY MUCH . Leave a Reply Cancel reply. Enter your comment here. Address never made public). MIT Shenzhen ...

3

Projects | Nazmus Saquib

https://nsaquib.com/presentations

KolpoKoushol: A Knowledge Initiative. I, along with a few other MIT students and alumni, recently started a knowledge initiative in Bangladesh called KolpoKoushol. There will be a lot of updates coming from this initiative in the next few weeks. MIT Shenzhen Manufacturing Bootcamp 2015. Navigation 102 (Local electronics markets). Wire Bonding Factory Visit. Injection Molding Factory Visit. Navigation 201 (Sourcing and Bargaining Parts). Navigation 202 (Train, Bus, High Speed Rail experience). I organized...

4

MIT Shenzhen Bootcamp: Navigation 101 | Nazmus Saquib

https://nsaquib.com/2015/08/10/mit-shenzhen-bootcamp-navigation-101

The fallacy of unlimited scientific understanding →. August 10, 2015 · 11:50 pm. MIT Shenzhen Bootcamp: Navigation 101. Prepare early for your visa if you are an international student. Travel agents can help you a lot, for a small fee you can get a lot done. When I got to the apartment building, I was explained why simply getting a taxi wouldn’t work. You see, the address was given to us as 66 South Park road. In reality, it was called 66 Nanyang Road, and most of the drivers wouldn’t...The next day, we ...

5

Nail Portrait | Nazmus Saquib

https://nsaquib.com/2012/08/11/nail-portrait

Newspapers and Location-specific Coverage. 100 poems in 1 minute (Bangla) →. August 11, 2012 · 6:12 am. The idea will be to use Mathematica functions only (and no other 3d models) to build the portrait from scratch. Here’s a test image of myself:. Img = Darker[Import[me.png, ImageSize - 250], 0.5]. First thing would be to find the edges. The image is blurred a bit (with 5 pixel radius) before the edge detection methods are called just so that noise is suppressed. Dedge = DeleteSmallComponents[edge, 25].

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Badiou’s Saint Paul | Etches of Ink and Light

https://efadhuq.wordpress.com/2016/12/23/badious-saint-paul

Etches of Ink and Light. If I walk in front of you, will you know what walking is? Performance, Spatiality, Movement. This work is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 3.0 Unported License. Sign Up for Email Updates. Enter your email address to subscribe to this blog and receive notifications of new posts by email. Join 127 other followers. Dancer in Darkness (31). End of imagination (1). Mahmud of ghazni (1). Pascal’s wager (1). The second voyage (1). Certainly not....

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efahuq | Etches of Ink and Light

https://efadhuq.wordpress.com/author/efahuq

Etches of Ink and Light. If I walk in front of you, will you know what walking is? Performance, Spatiality, Movement. This work is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 3.0 Unported License. Sign Up for Email Updates. Enter your email address to subscribe to this blog and receive notifications of new posts by email. Join 127 other followers. Dancer in Darkness (31). End of imagination (1). Mahmud of ghazni (1). Pascal’s wager (1). The second voyage (1). March 4, 2017.

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Reading For the City Yet to Come | Etches of Ink and Light

https://efadhuq.wordpress.com/2017/01/06/reading-for-the-city-yet-to-come

Etches of Ink and Light. If I walk in front of you, will you know what walking is? Performance, Spatiality, Movement. This work is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 3.0 Unported License. Sign Up for Email Updates. Enter your email address to subscribe to this blog and receive notifications of new posts by email. Join 127 other followers. Dancer in Darkness (31). End of imagination (1). Mahmud of ghazni (1). Pascal’s wager (1). The second voyage (1). At the same time, ...

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Performance, Spatiality, Movement | Etches of Ink and Light

https://efadhuq.wordpress.com/performance-spatiality-movement

Etches of Ink and Light. If I walk in front of you, will you know what walking is? Performance, Spatiality, Movement. This work is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 3.0 Unported License. Sign Up for Email Updates. Enter your email address to subscribe to this blog and receive notifications of new posts by email. Join 127 other followers. Dancer in Darkness (31). End of imagination (1). Mahmud of ghazni (1). Pascal’s wager (1). The second voyage (1). To what extent can...

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Bangladesh | Etches of Ink and Light

https://efadhuq.wordpress.com/bangladesh

Etches of Ink and Light. If I walk in front of you, will you know what walking is? Performance, Spatiality, Movement. This work is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 3.0 Unported License. Sign Up for Email Updates. Enter your email address to subscribe to this blog and receive notifications of new posts by email. Join 127 other followers. Dancer in Darkness (31). End of imagination (1). Mahmud of ghazni (1). Pascal’s wager (1). The second voyage (1). Reading Marx'...

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Rawls, post-marxist critique, symbolic politics | Etches of Ink and Light

https://efadhuq.wordpress.com/2017/01/01/rawls-post-marxist-critique-symbolic-politics

Etches of Ink and Light. If I walk in front of you, will you know what walking is? Performance, Spatiality, Movement. This work is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 3.0 Unported License. Sign Up for Email Updates. Enter your email address to subscribe to this blog and receive notifications of new posts by email. Join 127 other followers. Dancer in Darkness (31). End of imagination (1). Mahmud of ghazni (1). Pascal’s wager (1). The second voyage (1). Post-Marxist criti...

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In between Blumenberg’s The Laughter of the Thracian Woman | Etches of Ink and Light

https://efadhuq.wordpress.com/2016/12/23/in-between-blumenbergs-the-laughter-of-the-thracian-woman

Etches of Ink and Light. If I walk in front of you, will you know what walking is? Performance, Spatiality, Movement. This work is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 3.0 Unported License. Sign Up for Email Updates. Enter your email address to subscribe to this blog and receive notifications of new posts by email. Join 127 other followers. Dancer in Darkness (31). End of imagination (1). Mahmud of ghazni (1). Pascal’s wager (1). The second voyage (1). Faced with the cho...

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Displacement | Etches of Ink and Light

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Etches of Ink and Light. If I walk in front of you, will you know what walking is? Performance, Spatiality, Movement. This work is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 3.0 Unported License. Sign Up for Email Updates. Enter your email address to subscribe to this blog and receive notifications of new posts by email. Join 127 other followers. Dancer in Darkness (31). End of imagination (1). Mahmud of ghazni (1). Pascal’s wager (1). The second voyage (1). 8220;Affordable ho...

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I design wearable and tangible sensor networks, and model human interactions using mathematics. Using these tools, my aim is to build intelligent machines that empower individuals and human networks. I am a PhD student at the Laboratory for Social Machines. Directed by Deb Roy. At the MIT Media Lab. My research is supported by Wildflower Foundation. In Bangladesh. I also advise Ice9Interactive. Who are using computer vision to solve traffic problems in Dhaka), and The Tech Academy. Create a website or bl...

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