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Punekar Abroad

Thursday, April 1, 2010. Menavlicha Wada, near Wai. The tortoise at the entrance of the main temple room. Maharashtrian. Religious carvings are usually austere and not overtly ornate. Perhaps it is the basalt stone that does not lend itself to decorous stonework unlike the marble temples of Rajasthan. Perhaps it is the austere aesthetics of the patron. The main deity is in a sunken room. I wonder if the room gets filled with water when the river floods in the monsoons. Monday, March 29, 2010. It is still...

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Punekar Abroad | punekarabroad.blogspot.com Reviews
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Thursday, April 1, 2010. Menavlicha Wada, near Wai. The tortoise at the entrance of the main temple room. Maharashtrian. Religious carvings are usually austere and not overtly ornate. Perhaps it is the basalt stone that does not lend itself to decorous stonework unlike the marble temples of Rajasthan. Perhaps it is the austere aesthetics of the patron. The main deity is in a sunken room. I wonder if the room gets filled with water when the river floods in the monsoons. Monday, March 29, 2010. It is still...
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Punekar Abroad | punekarabroad.blogspot.com Reviews

https://punekarabroad.blogspot.com

Thursday, April 1, 2010. Menavlicha Wada, near Wai. The tortoise at the entrance of the main temple room. Maharashtrian. Religious carvings are usually austere and not overtly ornate. Perhaps it is the basalt stone that does not lend itself to decorous stonework unlike the marble temples of Rajasthan. Perhaps it is the austere aesthetics of the patron. The main deity is in a sunken room. I wonder if the room gets filled with water when the river floods in the monsoons. Monday, March 29, 2010. It is still...

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1

Punekar Abroad: April 2010

http://punekarabroad.blogspot.com/2010_04_01_archive.html

Thursday, April 1, 2010. Menavlicha Wada, near Wai. The tortoise at the entrance of the main temple room. Maharashtrian. Religious carvings are usually austere and not overtly ornate. Perhaps it is the basalt stone that does not lend itself to decorous stonework unlike the marble temples of Rajasthan. Perhaps it is the austere aesthetics of the patron. The main deity is in a sunken room. I wonder if the room gets filled with water when the river floods in the monsoons. Subscribe to: Posts (Atom).

2

Punekar Abroad: Ganpati Inspiration

http://punekarabroad.blogspot.com/2009/09/ganpati-inspiration.html

Wednesday, September 9, 2009. This year, I felt like I wanted to celebrate Ganpati. By drawing an image of one. So here is what I came up with. Its not complete, but I wanted it to look festive, but at the same time, I love the austerity of stone idols. I tried to achieve a balance by keeping the idol gray, and the background, I colored in the very Indian tones of saffron and fuchsia. The two colors remind me of. I would never dare to wear those colors together, but they make me feel happy.

3

Punekar Abroad: December 2007

http://punekarabroad.blogspot.com/2007_12_01_archive.html

Wednesday, December 26, 2007. Indian curry at Java Noodles. After enduring a considerable period of time feeling nauseated. By the sight, smell and even thought of food, I felt really happy at having regained a semblance of my former appetite. I still don't feel like eating any kind of meat. But the one exception I can always make is for the Indian chicken curry at Java Noodles. Subscribe to: Posts (Atom). Indian curry at Java Noodles.

4

Punekar Abroad: March 2010

http://punekarabroad.blogspot.com/2010_03_01_archive.html

Monday, March 29, 2010. The gallis (lanes) of Prabhat Road. A grand old bungalow, supposedly the movie 'Virrudh' was shot here. Believe it now, who saw Prabhat Road as of today? Especially convenient after the drive everywhere suburban lifestyle that I lead in the. Of course my son will never play in. I don’t see the ricksaw wala who dropped me of to school, then. Then architecture college and then ‘sasari’. Subscribe to: Posts (Atom).

5

Punekar Abroad: Menavlicha Wada, near Wai

http://punekarabroad.blogspot.com/2010/04/menavlicha-wada-near-wai.html

Thursday, April 1, 2010. Menavlicha Wada, near Wai. The tortoise at the entrance of the main temple room. Maharashtrian. Religious carvings are usually austere and not overtly ornate. Perhaps it is the basalt stone that does not lend itself to decorous stonework unlike the marble temples of Rajasthan. Perhaps it is the austere aesthetics of the patron. The main deity is in a sunken room. I wonder if the room gets filled with water when the river floods in the monsoons. Subscribe to: Post Comments (Atom).

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Thursday, April 1, 2010. Menavlicha Wada, near Wai. The tortoise at the entrance of the main temple room. Maharashtrian. Religious carvings are usually austere and not overtly ornate. Perhaps it is the basalt stone that does not lend itself to decorous stonework unlike the marble temples of Rajasthan. Perhaps it is the austere aesthetics of the patron. The main deity is in a sunken room. I wonder if the room gets filled with water when the river floods in the monsoons. Monday, March 29, 2010. It is still...

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