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Opening Tonight | translinguistic other
https://emilypothast.wordpress.com/2009/11/07/opening-tonight-22
Harmonies. hierophanies. beatific visions. 8230;for the last time EVER. Massimo Guerrera. Meeting. Via Crawl Space Gallery. Is pleased to present. An exhibition that brings together artists who devise strategies to connect with people they would otherwise never encounter. The artists approach strangers either as collaborators, research subjects or participants in unconventional performances. The exhibition, which includes work by Massimo Guerrera. And Seattle art collective PDL. Tags: Crawl Space Gallery.
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DRAWING GOD FROM DIRECT OBSERVATION opens tonight! | translinguistic other
https://emilypothast.wordpress.com/2015/02/22/drawing-god-from-direct-observation-opens-tonight
Harmonies. hierophanies. beatific visions. DRAWING GOD FROM DIRECT OBSERVATION opens tonight! Tonight is the opening of my exhibition. Drawing God from Direct Observation. Kelton Sears recently interviewed me for. And posted a preview of the show here. Emily Pothast, “Nova (Noumenon).” Prismacolor and collage on paper, 2015. By emilypothast on February 22, 2015. How to Draw God. Leave a Reply Cancel reply. Enter your comment here. Please log in using one of these methods to post your comment:. Yes, Pleas...
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Midday Veil Release Track from Upcoming Album – “Babel” Featuring Bernie Worrell | translinguistic other
https://emilypothast.wordpress.com/2015/06/15/midday-veil-release-track-from-upcoming-album-babel-featuring-bernie-worrell
Harmonies. hierophanies. beatific visions. Midday Veil Release Track from Upcoming Album – “Babel” Featuring Bernie Worrell. Over the past six years, my band Midday Veil. Has released two LPs and a handful of cassettes and CDRs on our own label Translinguistic Other. Will be releasing Midday Veil’s third studio album. On LP, CD and digital formats on September 11, 2015. This wilderness amazes me but covers me with shame / when I aspire to codify the thing that has no name. Randall hired David to be Berni...
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No Chasm, No Cleft: Under the Spell of Brendan Jansen | translinguistic other
https://emilypothast.wordpress.com/2009/10/05/no-chasm-no-cleft-under-the-spell-of-brendan-jansen
Harmonies. hierophanies. beatific visions. No Chasm, No Cleft: Under the Spell of Brendan Jansen. A couple of weeks ago, I attended the opening of Brendan Jansen. No Chasm, No Cleft. Brendan Jansen. Still from Oedipus Whatever. DVD, 2009. Brendan Jansen. Still from Oedipus Whatever. DVD, 2009. 8230;Jansen explores the space between pre-mediated experience and the choices that presuppose modes of depiction. As his title alludes referring by way of negation to the location where ancient Greek oracles t...
emilypothast.com
Emily Ann Pothast - Résumé
http://www.emilypothast.com/resume.html
Résumé and Exhibition Record. 2005 Master of Fine Arts, University of Washington 2003 Bachelor of Fine Arts, Summa Cum Laude. Record label) Midday Veil. Band) Hair and Space Museum. Audiovisual installation/performance duo) Translinguistic Other. 2015 DRAWING GOD FROM DIRECT OBSERVATION. Seattle University's Hedreen Gallery, Seattle, WA 2014 UNIVERSES. Vignettes, Seattle, WA 2008 Eternal Return. Grey Gallery and Lounge, Seattle, WA. Selected Hair and Space Museum. Audiovisual installation for Skyward!
emilypothast.com
Emily Pothast - Bio
http://www.emilypothast.com/bio.html
Visual artist, musician, writer and curator based in Seattle, Washington, USA. My current projects include a band called Midday Veil. A multimedia performance duo called Hair and Space Museum. A record and cassette label called Translinguistic Other. And a blog of the same name. I also write art and music reviews for Decoder Magazine. And co-curate exhibitions at Seattle boutique and arts space Cairo.
emilypothast.wordpress.com
Fleeting Moments in an Infinite Flux: Artists and Other Windows on Eternity | translinguistic other
https://emilypothast.wordpress.com/2009/02/23/fleeting-moments-in-an-infinite-flux-artists-and-other-windows-on-eternity
Harmonies. hierophanies. beatific visions. Fleeting Moments in an Infinite Flux: Artists and Other Windows on Eternity. Last December, on the same trip to SFMoMA I blogged about earlier in reference to Emily Jacir’s. Where We Come From. I also saw a photography exhibit called. Brought To Light: Photography and the Invisible, 1840-1900. At the time I knew I wanted to write something about it, but I had to let the idea kick around for awhile. Pointed out to me this morning because today Tyler Green posted ...
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