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Reverse Shot

Museum of the Moving Image presents Reverse Shot: a different angle on moving images—past, present, and future

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Reverse Shot | reverseshot.org Reviews
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Museum of the Moving Image presents Reverse Shot: a different angle on moving images—past, present, and future
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Reverse Shot | reverseshot.org Reviews

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Museum of the Moving Image presents Reverse Shot: a different angle on moving images—past, present, and future

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1

Reviews - Reverse Shot

http://www.reverseshot.org/reviews/entry/2081/we_come_as_friends

Museum of the Moving Image. A different angle on moving images past, present, and future. We Come as Friends. August 14, 2015. We Come as Friends. Dir Hubert Sauper, France, BBC Worldwide North America. This is the age of the bigger, stronger, faster nonfiction film. Praise is heaped upon those documentaries showcasing exclusive access, famous or elusive subjects, and wildly dangerous shooting conditions. If a filmmaker plans to film the abject, it’d better be the. We Come as Friends. As in his 2005.

2

Interviews - Reverse Shot

http://www.reverseshot.org/interviews

Museum of the Moving Image. A different angle on moving images past, present, and future. Eduardo Williams (The Human Surge). October 9, 2016. It is important for me to work without a locked script, and without giving strong directions. I prefer to give more general explanations, so that the actors can figure things out for themselves. Dane Komljen (All the Cities of the North). October 8, 2016. March 11, 2016. February 22, 2016. First Look 2016: Margaret Honda. January 14, 2016. January 13, 2016. I have...

3

Archive - Reverse Shot

http://www.reverseshot.org/archive

Museum of the Moving Image. A different angle on moving images past, present, and future. Jacquot de Nantes/The World of Jacques Demy. By Michael Joshua Rowin. November 2, 2016. A Few Great Pumpkins XI. A Few Great Pumpkins. October 31, 2016. October 26, 2016. Ben Wheatley: Confusion and Carnage. October 24, 2016. Jane B. par Agnès V. October 21, 2016. October 20, 2016. October 19, 2016. October 19, 2016. October 18, 2016. October 17, 2016. NYFF: The Unknown Girl. October 15, 2016. October 14, 2016.

4

Author - About - Reverse Shot

http://www.reverseshot.org/people/28/nick-pinkerton

Museum of the Moving Image. A different angle on moving images past, present, and future. Nick Pinkerton is a regular contributor to Reverse Shot, Sight and Sound, Film Comment, Artforum,. And sundry other publications. He lives in Queens, NY. NYFF: A Quiet Passion. October 7, 2016. NYFF: My Journey Through French Cinema. October 2, 2016. September 30, 2016. September 9, 2016. A thousand different films could have resulted from this tale, and most of them would have been stirring schmaltz at best, but th...

5

Features - Reverse Shot

http://www.reverseshot.org/features/2002/watching_play_fifa

Museum of the Moving Image. A different angle on moving images past, present, and future. February 18, 2015. Play / Playing Watching. The last sport-themed video game I played was probably. It came with the Super Nintendo I bought off the corner store owner’s kid in the mid-1990s), and my understanding of soccer’s rules doesn’t go much deeper than that you are not allowed to use your hands. Suffice to say, when it came to. And to tell me how it works while I watched. Then, as a video game making claims t...

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Racism | Permanent Plastic Helmet

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A blog about pop culture run by ashley clark. Random YouTube video of the week archive. I’m only human: opposing thoughts on Boyhood. I grew up being taught that it was OK to hold more than one competing thought in one’s head about a given subject at any one time. It’s an approach that seems sorely lacking in our current cultural/critical climate: just consider the fount of “hot take”. Articles about certain recent films (. Yesterday, Richard Linklater’s timid epic. Birth of a Nation. Anyway, here are my...

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kangasvalo – Juon mustetta

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Kirjoitan elokuvista ja niiden ympärillä kulttuurista muutenkin. Mikä on tämän stripin valta-asetelma? Ja myönnän tuntevani lautakulttuuria kohtaan sympatiaa myös siksi, että en aina jaksa sietää valtavirran konsensusta. Tuskastun esimerkiksi usein toistellusta fraasista ”huumorin on kohdistuttava alhaalta ylös”, joka asetetaan tummemmassa Internet-huumorissa usein hyvin kyseenalaiseksi, mutta jota ei kyseenalaisteta valtavirrassa. Ymmärrän periaatteen, mutta siinä on kansanvalistukse...8 helmikuu, 2017.

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Thomas Bernhard katsoo jalkapalloa – Juon mustetta

https://juonmustetta.wordpress.com/2016/11/01/thomas-bernhard-katsoo-jalkapalloa

Thomas Bernhard katsoo jalkapalloa. On kohta, joka keskeyttää kirjailijan puhetulvan hänen elämästään ja aiheistaan. Kameroita asetellaan uudestaan, kuvaustilannetta itseään näytetään. On siis tauko. Kuvauspaikalla olevasta televisiosta tulee jalkapallo-ottelu: Länsi-Saksa vastaan Bulgaria. Bernhard katsoo ottelua käsi poskellaan ja hymyilee. Herkät ja ujot miehet puhuvat jalkapallo-otteluista raaoin, maskuliinisin ja sotilaallisin termein, joskus huomaamattaan. Intellektuellit unohtuvat karjumaan ka...

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Stuff we think you should check out). Con los ojos abiertos. Film studies for free. Observations on film art.

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تصویر-قلم: February 2015

http://image-stylo.blogspot.com/2015_02_01_archive.html

نوشته‌هایی درباره‌ی سینما. پنجشنبه، بهمن ۳۰. مدرنیستِ بَدَوی. این نوشته پیش‌تر با ترجمه‌ی من، در نشریه‌ی فیلمخانه. شماره‌ی ١٠؛ پاییز ١٣٩٣) به چاپ رسیده است. مدرنیستِ بَدَوی. درباره‌ی سینمای آلبرت سِرا به بهانه‌ی آخرین فیلمش داستانِ مرگِ من. نوشته‌ی مانوئل یانِز-موریلو. ترجمه‌ی آیین فروتن. دون کیشوت، سه پادشاه (1). این معما، خود را در فستیوال فیلم کن ٢٠٠٦ بر جهان آشکار کرد، زمانی که افتخارِشوالیه‌ها. سروانتس - فیلمبرداری شده بر رویِ. افتخارِ شوالیه‌ها. تبیین می‌یابد، ادامه‌ی کارت پ&#1615...1548; تام جونز ...

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تصویر-قلم: مارسی: سیمای ناتمام

http://image-stylo.blogspot.com/2015/06/blog-post.html

نوشته‌هایی درباره‌ی سینما. دوشنبه، خرداد ۱۸. این نوشته چندی پس از نگارش و انتشارش در این صفحه، به مناسبتِ اکرانِ فیلم در کتابچه‌ی «سینماتک موزه‌ی‌ هنرهای معاصر تهران (شماره‌ی ٤٠؛ تابستان ١٣٩٤) منتشر شد. شهر به مثابه‌ی فضا یا کاراکتر؟ به مثابه‌ی چشم‌انداز یا چهره؟ این پرسشی‌ است توامان چالش‌برانگیز و اساسی در مواجهه با مارسی. ١٩٩٨)، مارسی، اُرلی. ٢٠٠١) [هرچند عنوان اصلی فیلم زندگیِ آرامِ من. نام دارد] و بعدازظهر. در میانه‌ی هرروزگیِ مارسی، شانلک به مانندِ سوفی می‌کوشد از خلال...شانلک، اما در وجوه&#1...

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تصویر-قلم: May 2015

http://image-stylo.blogspot.com/2015_05_01_archive.html

نوشته‌هایی درباره‌ی سینما. شنبه، اردیبهشت ۱۹. گشودنِ دروازه‌های شب. این نوشته را تقریباً یک سال پیش ترجمه کردم،. نوشته‌ای که به دلایلی مشخص چاپ آن ناممکن بود؛ چندی دیرتر، زمانی که هنوز «تصویر-قلم نیز راه‌اندازی نشده بود، به پیشنهادِ دوست مهربان و بزرگوارم وحید مرتضوی این متن در وبلاگ ایشان ( اینجا. گشودنِ دروازه‌های شب. مروری بر کارنامه‌ی ژان-کلود بریسو به بهانه‌ی دختری از ناکجا. بوریس نِلِپو. به بریسو اهدا کرد: بریسویی که به دنبالِ سه گانه‌ی سکس‌اش در دهه‌ی گذشته ( چیزهای محرمانه. 2006] و به سوی ماجرا.

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Richard Linklater | Permanent Plastic Helmet

https://permanentplastichelmet.com/tag/richard-linklater

A blog about pop culture run by ashley clark. Random YouTube video of the week archive. Tag Archives: Richard Linklater. I’m only human: opposing thoughts on Boyhood. I grew up being taught that it was OK to hold more than one competing thought in one’s head about a given subject at any one time. It’s an approach that seems sorely lacking in our current cultural/critical climate: just consider the fount of “hot take”. Articles about certain recent films (. Yesterday, Richard Linklater’s timid epic. Anywa...

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Bits and pieces | Permanent Plastic Helmet

https://permanentplastichelmet.com/category/bits-and-pieces

A blog about pop culture run by ashley clark. Random YouTube video of the week archive. Category Archives: Bits and pieces. I’m only human: opposing thoughts on Boyhood. I grew up being taught that it was OK to hold more than one competing thought in one’s head about a given subject at any one time. It’s an approach that seems sorely lacking in our current cultural/critical climate: just consider the fount of “hot take”. Articles about certain recent films (. Birth of a Nation. Anyway, here are my opposi...

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Museum of the Moving Image. A different angle on moving images past, present, and future. August 7, 2015. The wide-gauge format 70mm reached its greatest popularity in the 1950s amid a boom of new innovations (Cinemascope, Cinerama, 3D) intended to reverse the fortunes of foundering Hollywood studios; for a time, they even appeared to have done the trick. But every great reign is followed by an epoch of decadence . . . Tweets by @reverse shot. We Come as Friends. August 14, 2015. August 14, 2015. What st...

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