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Singing in the Archives | keeping an ear out for voices of the past

keeping an ear out for voices of the past

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Singing in the Archives | keeping an ear out for voices of the past | singinginthearchives.wordpress.com Reviews
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keeping an ear out for voices of the past
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Singing in the Archives | keeping an ear out for voices of the past | singinginthearchives.wordpress.com Reviews

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keeping an ear out for voices of the past

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It were better to be dumb entirely | Singing in the Archives

https://singinginthearchives.wordpress.com/2015/07/15/it-were-better-to-be-dumb-entirely

Singing in the Archives. Keeping an ear out for voices of the past. It were better to be dumb entirely. Asymp; Leave a comment. 8220;The boy who stuttered and the girl who lisped”, 1907. What can be more galling to a highly intelligent young man, of refined culture and extensive knowledge, than to find himself unable to enter into conversation, without causing pain both to himself and to those who listen to him! I have a son who stammers badly. What can I do with him? Make a barrister of him. The absurd ...

2

Violent efforts in affected tones | Singing in the Archives

https://singinginthearchives.wordpress.com/2015/06/08/violent-efforts-in-affected-tones

Singing in the Archives. Keeping an ear out for voices of the past. Violent efforts in affected tones. Asymp; 1 Comment. In times of hay-fever, one is once again reminded of how fragile the human voice can be. Yet, amid all the dry coughs, red eyes and hoarse whispers, I have yet to encounter a voice that appears ”. Muffled, as though the person were speaking through flannel, or some other thick substance. That preachers were so prone to vocal pathology did not seem to surprise anyone. Those choosing...

3

Not a parrot, but a man | Singing in the Archives

https://singinginthearchives.wordpress.com/2015/04/03/not-a-parrot-but-a-man

Singing in the Archives. Keeping an ear out for voices of the past. Not a parrot, but a man. Asymp; 1 Comment. Is not great because he can successfully imitate a teacher in the art, but because he has struck out a line of thought and action for himself. He creates ideals and has true notions of his conceptions. He clothes them in language, and gives them utterance after his own mode and manner. He is not a parrot, but a man. P is for Parrot . Or, the parrot as symbol for excessive talk. John Tenniel, 1892.

4

Publications | Singing in the Archives

https://singinginthearchives.wordpress.com/publications

Singing in the Archives. Keeping an ear out for voices of the past. Masculinity and Nationhood, 1830-1910: Constructions of Identity and Citizenship in Belgium. Genders and Sexualities in History, Palgrave-MacMillan. Gender and History,. Vol28, n.2 (2016), p. 535-536. 2016), p. 604 605. Julia Maria Zimmermann,. IJHE Bildungsgeschichte International Journal for the Historiography of Education. 2, (2015),p. 252-255. With Nel de Mûelenaere,. With dr. Pieter Verstraete,. Silence and Diversity,. Special Issue...

5

March of the penguins | Singing in the Archives

https://singinginthearchives.wordpress.com/2015/04/19/march-of-the-penguins

Singing in the Archives. Keeping an ear out for voices of the past. March of the penguins. Asymp; 1 Comment. It seems that my current obsession with nineteenth-century notions of birdlike humans and antropomorphic birds endures. It was recently fed by the appearance of a group of ‘penguins’. Pre-concert grooming in the Philadelphia Chorus. As an academic, I rarely encounter any formal dress – let alone men wearing it (as Jonathan Wolff has noted in the Guardian. Pelham, or the adventures of a Gentleman.

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VoiceTalk: Surviving Tinnitus 2

http://www.voice-talk.net/2015/08/surviving-tinnitus-2.html

Historical Perspectives on the Art of Singing. August 7, 2015. Ponte delle Torri, Spoleto, Italy. EllI've been on vacation for the last couple of weeks, singing in Italy with Umbrian Serenades. A wonderful choral ensemble that was founded by Paulo Faustini ten years ago. That's where you see me in the photo, crossing Ponte delle Torri. 8212;Spoleto's aqueduct, which leads to Monteluco. Mountain, which takes about 45 minutes to climb via a pretty steep trail. I went up and down 6 times. In silence. Just k...

voice-talk.net voice-talk.net

VoiceTalk: Staccato

http://www.voice-talk.net/2013/04/staccato.html

Historical Perspectives on the Art of Singing. April 11, 2013. Hen is the last time you practiced exercises on staccato. Do you even know what the word means? Do you know how to do it? Why am I thinking that you don't? Voice teacher shaking head and rolling eyes). What are the benefits of singing staccato vocal exercises? The singer fairly yells with his eyes. "Why are you making me sing this stuff? Staccato exercises will teach you to suspend the breath. You can't be heaving or wheezing. Staccato exerci...

voice-talk.net voice-talk.net

VoiceTalk: Madam Schoen-René

http://www.voice-talk.net/2015/04/madam-schoen-rene.html

Historical Perspectives on the Art of Singing. April 20, 2015. Further instruction from Ferdinand Sieber and the older Lamperti—both exponents of the García method—so convinced Madame Schoen-René of the absolute efficacy of these principles that she went to Paris and put herself entirely in the hands of Madam Viardot-Garcia. By this distinguished maitresse du chant. Proper tone production is the only possible means of securing proper phrasing and coloring, and to separate the technic of the art from the ...

voice-talk.net voice-talk.net

VoiceTalk: Pauline Viardot-García on the Life of an Operatic Artist

http://www.voice-talk.net/2015/05/pauline-viardot-garcia-on-life-of.html

Historical Perspectives on the Art of Singing. May 4, 2015. Pauline Viardot-García on the Life of an Operatic Artist. Mme Viardot-García," writes a pupil from Paris, "will not bother with the physiology of the voice, except for a suggestion now and then. She is decidedly for singing with the tongue flat, and I find that the t's. 8212; The Voice: Devoted to the Human Voice in All Its Phases,. October, 1886: 161. I welcome your comments. Subscribe to: Post Comments (Atom). Began as a column in VOICE. Which...

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VoiceTalk: Hiatus Ahead

http://www.voice-talk.net/2015/05/hiatus-ahead.html

Historical Perspectives on the Art of Singing. May 6, 2015. Ear Devoted Reader,. Several major projects are demanding my time, effort and attention (you may imagine, but I'm not telling). As a result, it is necessary for me to take a hiatus from blogging for the next several months. Stay tuned for new and exciting things, and thank you for reading VoiceTalk. PS- you can keep up with me during the summer at my Facebook Studio Page. I welcome your comments. Subscribe to: Post Comments (Atom). W hen I start...

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VoiceTalk: Tubbs & Sangiovanni

http://www.voice-talk.net/2015/05/tubbs-sangiovanni.html

Historical Perspectives on the Art of Singing. May 2, 2015. Rank Herbert Tubbs, who recently appeared on these pages in connection with the father of voice science, now gives the reader an account of his studies with Antonio Sangivoanni, considered one the great vocal maestros of the late 19th century. Not for the faint of heart: there was no getting ready to be ready with Sangiovanni. You either had the vocals goods or you did not. But we who are accustomed to long distances think little of the trip as ...

voice-talk.net voice-talk.net

VoiceTalk: Blanche Marchesi: Sounding Boards

http://www.voice-talk.net/2014/10/blanche-marchesi-sounding-boards.html

Historical Perspectives on the Art of Singing. October 13, 2014. Blanche Marchesi: Sounding Boards. F you read my last post. On the García School, you may have caught the curious suggestion made by Anna E. Schoen-René that her luncheon partners, Blanche Marchesi. And Nellie Melba, were unaware that the great García was still alive when he approached one-hundred years of age. Now that seems curious, doesn't it? One of the most famous voice teachers of all time falling off the map? Dealing with the matter.

voice-talk.net voice-talk.net

VoiceTalk: Two Mighty Singing-Masters of Milan

http://www.voice-talk.net/2015/04/two-mighty-singing-masters-of-milan.html

Historical Perspectives on the Art of Singing. April 25, 2015. Two Mighty Singing-Masters of Milan. Lanche Roosevelt has already appeared on these pages, which you can find by clicking on her label below. She was a student of Francesco Lamperti for a short time before transferring her allegiance to Lamperti's maestro—a certain Signor Trivulsi (also spelled Trivulzi) who had been grievously injured by a physician while employed as a court singer. The Milan correspondent of the London Standard. Is a favori...

voice-talk.net voice-talk.net

VoiceTalk: High Front Tone Placement

http://www.voice-talk.net/2015/04/high-front-tone-placement.html

Historical Perspectives on the Art of Singing. April 22, 2015. High Front Tone Placement. Instructions based on the Old Italian School of high front tone placement? Fundamentals of the overtone and diaphragmatic (deep) breathing? Taglieri's teaching was also that of Anna E. Schoen-Rene—a student of Pauline Viardot-García and her famous brother Manuel García. Ubiquitous baby! 8212; Morning Oregonian. October 3, 1920: 7. Labels: Anna E. Schoen-René. I welcome your comments. Began as a column in VOICE.

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Singing in the Archives | keeping an ear out for voices of the past

Singing in the Archives. Keeping an ear out for voices of the past. It were better to be dumb entirely. Asymp; Leave a comment. 8220;The boy who stuttered and the girl who lisped”, 1907. What can be more galling to a highly intelligent young man, of refined culture and extensive knowledge, than to find himself unable to enter into conversation, without causing pain both to himself and to those who listen to him! I have a son who stammers badly. What can I do with him? Make a barrister of him. The absurd ...

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