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Contemporary American Fiction | English 3332, Spring 2013

English 3332, Spring 2013

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Contemporary American Fiction | English 3332, Spring 2013 | templecaf13.wordpress.com Reviews
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Contemporary American Fiction | English 3332, Spring 2013 | templecaf13.wordpress.com Reviews

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English 3332, Spring 2013

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Blog Post 9: Form and Function in the Labyrinth | Contemporary American Fiction

https://templecaf13.wordpress.com/2013/03/22/blog-post-9-form-and-function-in-the-labyrinth

English 3332, Spring 2013. Blog Post 9: Form and Function in the Labyrinth. Welcome to our second week with House. First, note that I’ve changed up the schedule for the rest of the book and the rest of the course hopefully this will give us all a little more breathing room to do justice to all the material ahead. There’s a revised document up on Blackboard under Information, and I’ll bring copies to class next week as well. What effect does it have on the experience of reading? March 22, 2013. As confusi...

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Blog Post 8: Whose House? | Contemporary American Fiction

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English 3332, Spring 2013. Blog Post 8: Whose House? Hi everyone — hope you’ve been having a good spring break. Mark Z. Danielewski’s. What’s his/her/their relation to other narrating characters and narrative voices in the text so far? What seems strange, suspect, or otherwise unusual about your voice? What does Danielewski seem to be trying to do with that voice within the larger thinking of the novel? Gordon, Barry, Oksana, Jordan, and Mitch should discuss Zampano. This entry was posted in Uncategorized.

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March | 2013 | Contemporary American Fiction

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English 3332, Spring 2013. Monthly Archives: March 2013. Blog Post 10: Domestic Psychology. After the narrative layerings of our first week of. And the formal experimentation of this past week, this next section seems to read much more conventionally, in terms of both form and content — for much of it, Danielewski focuses on relatively straight narration of the Expedition and the interior psychology and emotion of a number of central characters. If so, where and why? Reminder, with a timing change. First...

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Contemporary American Fiction | English 3332, Spring 2013 | Page 2

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English 3332, Spring 2013. Blog Post 5: Perspectives on Cosmopolis, Part 2. We had a great first week’s discussion on. Covering a lot of ground both inside and outside the limo, within Eric and beyond. So for this second week of writing and discussion on the novel, I thought it might be useful to follow up on and/or extend some of the things we. You might write on the politics of the novel in the second half:. How does this novel fit into the history of the 21st century so far? While he makes his first &...

5

Blog Post 10: Domestic Psychology | Contemporary American Fiction

https://templecaf13.wordpress.com/2013/03/29/blog-post-10-domestic-psychology

English 3332, Spring 2013. Blog Post 10: Domestic Psychology. After the narrative layerings of our first week of. And the formal experimentation of this past week, this next section seems to read much more conventionally, in terms of both form and content — for much of it, Danielewski focuses on relatively straight narration of the Expedition and the interior psychology and emotion of a number of central characters. If so, where and why? Reminder, with a timing change. March 29, 2013. 19 thoughts on &ldq...

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Teaching » Paul Benzon

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I teach courses in modern and contemporary literature, media studies, and critical writing in the English department at Skidmore. Click below for materials from some of my recent courses:. Literature in the Digital Age (Spring 2016). American Realism (Fall 2015). Digital Identity (Fall 2015, Spring 2016). Prior to coming to Skidmore, I taught the following courses at Temple University:. Issues in Digital Culture: Identity, Privacy, Social Change (Spring 2015). American Literature, 1865-Present (Fall 2014).

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Contemporary American Fiction | English 3332, Spring 2013

English 3332, Spring 2013. Blog Post 12: Medium and Monstrosity. From one perspective, moving from. Happy Zombie Sunrise Home. So just as we close-read. To think about that dynamic, perhaps it makes sense to do the same with. Happy Zombie Sunrise Home. So for this blog post, you should do some reflecting on how this text uses and engages with technology, whether in terms of form, of narrative, or both. How does the collaborative work between Atwood and Alderman shape the nature of the narrative? And shou...

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