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LUKE JENNINGS

March 16, 2015. Tamara Rojo: Passion and Poise (Dec 2010). If you walked past Tamara Rojo. In the street, you might not give her a second glance. Neatly made, quietly beautiful, the Royal Ballet’s 35-year-old prima ballerina has the spy’s ability to pass unnoticed. I’ve seen her walk, unrecognised, through a theatre foyer crowded with dance fans. As Odette, in the final act of. She’s lethally brittle and heedless, but leaves you in no doubt that this is a woman for whom men would ruin themselves. Itself ...

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LUKE JENNINGS | thirdcast.wordpress.com Reviews

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March 16, 2015. Tamara Rojo: Passion and Poise (Dec 2010). If you walked past Tamara Rojo. In the street, you might not give her a second glance. Neatly made, quietly beautiful, the Royal Ballet’s 35-year-old prima ballerina has the spy’s ability to pass unnoticed. I’ve seen her walk, unrecognised, through a theatre foyer crowded with dance fans. As Odette, in the final act of. She’s lethally brittle and heedless, but leaves you in no doubt that this is a woman for whom men would ruin themselves. Itself ...

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LUKE JENNINGS | thirdcast.wordpress.com Reviews

https://thirdcast.wordpress.com

March 16, 2015. Tamara Rojo: Passion and Poise (Dec 2010). If you walked past Tamara Rojo. In the street, you might not give her a second glance. Neatly made, quietly beautiful, the Royal Ballet’s 35-year-old prima ballerina has the spy’s ability to pass unnoticed. I’ve seen her walk, unrecognised, through a theatre foyer crowded with dance fans. As Odette, in the final act of. She’s lethally brittle and heedless, but leaves you in no doubt that this is a woman for whom men would ruin themselves. Itself ...

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thirdcast.wordpress.com

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Vincent Dance Theatre: Motherland | LUKE JENNINGS

https://thirdcast.wordpress.com/2015/03/08/vincent-dance-theatre-motherland-first-published-the-observer-18-sept-2012

Vincent Dance Theatre: Motherland. Here’s a sequence in Vincent Dance Theatre’s. That’s repeated at intervals throughout the two-hour piece. Aurora Lubos. Enters with a bottle of blood-red dye, slops a great gob of it on the all-white backdrop and, hitching her skirt up to her waist, leans back against it so that it seems to be welling from inside her, then fixes us with a sad, abject gaze. Then Andrea Catania. Saunters diagonally across the stage, playing a lyrical air on a violin. Look at Me Now, Mummy.

2

Crystal Pite: trying to excavate the truth. | LUKE JENNINGS

https://thirdcast.wordpress.com/2015/03/08/crystal-pite-trying-to-excavate-the-truth-first-published-in-the-observer-22-sept-2013

Crystal Pite: trying to excavate the truth. There’s a new spirit abroad in choreography. It offers us beauty and exhilaration, but with the old aesthetics stripped away. It looks for truth, no matter how unconsoling, and its subject is the transfixing poignancy of the human condition. You sense this spirit in the work of choreographers as disparate as William Forsythe. Ten Duets on a Theme of Rescue. Can be seen at Sadler’s Wells. And although few in number, are precision-crafted and multilayered. Ch...

3

Writing with your dad… Writing with your daughter | LUKE JENNINGS

https://thirdcast.wordpress.com/2015/03/07/writing-with-your-dad-writing-with-your-daughter-first-published-in-the-guardian-26-june-2013

Writing with your dad Writing with your daughter. Father and daughter Luke and Laura Jennings have written a book, the first in a new series, set in a stage school. What’s it like writing a book with your dad? And why did Luke suggest the idea to 13-year-old Laura? Father and daughter explain. When my dad suggested that we write a book together I remember thinking: is he serious? I was in year six at school, and I’d never even written a proper essay. How could I help him write a whole novel? We did disag...

4

Has narrative ballet lost the plot? | LUKE JENNINGS

https://thirdcast.wordpress.com/2014/11/24/has-narrative-ballet-lost-the-plot

Has narrative ballet lost the plot? What makes a great story ballet? Why are some story ballets danced decades, and even centuries, after their creation, and others forgotten by season’s end? It’s not pure chance. Great narrative ballets are born of inspiration, but once imagined, they’re given life by the process of storytelling. If this process is not fully understood by the dance-maker, the ballet will fail, no matter how brilliant the idea or how dazzling the choreography. And that’s it. On...Colas, ...

5

home | LUKE JENNINGS

https://thirdcast.wordpress.com/home

Leave a Reply Cancel reply. Enter your comment here. Fill in your details below or click an icon to log in:. Address never made public). You are commenting using your WordPress.com account. ( Log Out. You are commenting using your Twitter account. ( Log Out. You are commenting using your Facebook account. ( Log Out. You are commenting using your Google account. ( Log Out. Notify me of new comments via email. The Training Issue: A Struggle for the Soul of British Dance. Vincent Dance Theatre: Motherland.

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kaleidoscopic-arts.co.uk

Resources - kaleidoscopic-arts

http://www.kaleidoscopic-arts.co.uk/resources/4592494154

Register for WIP sharing. Organisations, blogs and events. The Female Choreographers’ Collective. By Holly Noble and Jane Coulston. Luke Jenning’s blog with various posts relating to gender in dance. Open space event on gender and (in)equality in the dance industry. By Cloud Dance Festival. By Charlotte Vincent and. Women of Mass Destruction. Are Women Dancers Still Discriminated Against? Why Women Dominate Modern Dance. By Roger Copeland in The New York Times. By Angeli R. Rasbury in Women’s E News.

ificantdanceblog.wordpress.com

Anche la Monnalisa va distruggendosi pian piano…piano..molto piano.. | if i can't dance

https://ificantdanceblog.wordpress.com/2013/05/13/anche-la-monnalisa-va-distruggendosi-pian-piano-piano-molto-piano

I don't want to be part of your revolution. If i can't dance. And IF …. Labùm. Anche la Monnalisa va distruggendosi pian piano…piano.molto piano. Vi siete mai chiesti cosa succede nella testa di un performer prima, dopo o durante una performance? Ve lo diciamo noi: si tratta nella maggior parte dei casi di pura, sana e semplice follia, e questa volta vi assicuro che avrete tutto il tempo per gustarvela! Ad esempio, chi mai penserebbe di mandare una torta nello spazio? IF I CAN’T DANCE. Scusate il vittimi...

ificantdanceblog.wordpress.com

AND IF…ERGONOMICA | if i can't dance

https://ificantdanceblog.wordpress.com/and-if-ergonomica

I don't want to be part of your revolution. If i can't dance. And IF …. Labùm. Ergonomica è un progetto di IfIcan’tdance, condotto da Elisabetta Consonni (coreografa), Carlo Venegoni (architetto) e Elena Dragonetti (performer). E’ un laboratorio di ricerca su un possibile interscambio tra i principi di costruzione architettonica e quelli di costruzione coreografica, partendo dall’osservazione e sperimentazione in sito. Http:/ ergonomicaproject.wordpress.com/. Lascia un commento Annulla risposta.

ificantdanceblog.wordpress.com

ANDIAMO AD APRIRE LA SUCCURSALE DI IF… IN POLONIA, ERGONOMICAMENTE! | if i can't dance

https://ificantdanceblog.wordpress.com/2013/10/09/andiamo-ad-aprire-la-succursale-di-if-in-polonia-ergonomicamente

I don't want to be part of your revolution. If i can't dance. And IF …. Labùm. ANDIAMO AD APRIRE LA SUCCURSALE DI IF… IN POLONIA, ERGONOMICAMENTE! Eccoci con la prima delle notizie della nostra stagione sbang! Siamo fiere di annunciare che il progetto ERGONOMICA di IfIcan’tdance condotto da Elisabetta Consonni (coreografa), Carlo Venegoni (architetto) e Elena Dragonetti (performer) è stato selezionato per il bando Creative Cast Away sostenuto da Etre. Che dire….Dobry sezon w ogòle! 9 ottobre 2013 a 09:40.

ificantdanceblog.wordpress.com

Dove siamo | if i can't dance

https://ificantdanceblog.wordpress.com/dove-siamo

I don't want to be part of your revolution. If i can't dance. And IF …. Labùm. Ecco come raggiungerci @PIMOFF Via Selvanesco, 75. Con i mezzi ecco come raggiungerci. Fermata Abbiategrasso Chiesa Rossa. Tram 3 o 15 e scendere alla 5 fermata. Blog su WordPress.com. I don't want to be part of your revolution. MI / PG / BRX. I don't want to be part of your revolution. Parole piene di arte. I don't want to be part of your revolution. I don't want to be part of your revolution.

ificantdanceblog.wordpress.com

And IF …. Labùm | if i can't dance

https://ificantdanceblog.wordpress.com/altri-progetti

I don't want to be part of your revolution. If i can't dance. And IF …. Labùm. And IF …. Labùm. Tutto ciò che abbiamo fatto è stato iniziare un processo, e i processi si sa dove iniziano ma chissà dove finiscono. Perseverare ci ha dato la possibilità di continuare a fare quello che ci è sempre piaciuto fare,. E così il processo ha dato vita ad Nuovo Progetto in casa IF. T a dance class. This is not a performance. Sappiamo cosa NON E’. Aiutateci a scoprire cosa SARÀ! Blog su WordPress.com. MI / PG / BRX.

ificantdanceblog.wordpress.com

The End is the beginning is the end.. | if i can't dance

https://ificantdanceblog.wordpress.com/2013/06/04/the-end-is-the-beginning-is-the-end

I don't want to be part of your revolution. If i can't dance. And IF …. Labùm. The End is the beginning is the end. Avvisiamo i gentili followers di If I Can’t Dance che siamo in procinto di prenderci una pausa. No, è ancora troppo presto, il nostro Lido preferito non ha ancora aperto gli ombrelloni. Le classi di training mattutino al momento sono sospese, ci prendiamo un po’ di tempo per pensare a come rendere IF ancora più produttivo e più coinvolgente,. Proprio come abbiamo fatto qualche settimana fa.

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LUKE JENNINGS

March 16, 2015. Tamara Rojo: Passion and Poise (Dec 2010). If you walked past Tamara Rojo. In the street, you might not give her a second glance. Neatly made, quietly beautiful, the Royal Ballet’s 35-year-old prima ballerina has the spy’s ability to pass unnoticed. I’ve seen her walk, unrecognised, through a theatre foyer crowded with dance fans. As Odette, in the final act of. She’s lethally brittle and heedless, but leaves you in no doubt that this is a woman for whom men would ruin themselves. Itself ...

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Monday, March 15, 2010. GOING HOME @ Chicago Asian American Showcase on April 3! GOING HOME will be having it's Chicago premiere at the 15th Annual Chicago Asian American Showcase at the Gene Siskel Film Center in 3 weeks! Jason and I are going to try to make it out there. Saturday, April 3 @ 5PM. Gene Siskel Film Center, 164 North State Street, Chicago, Illinois 60601. 10 general admission / $7 students. Tickets available at door or online starting Sat, March 20 after 5PM. Http:/ www.faaim.org/. Http:/ ...

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