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Hello Cinema, Goodbye Cinephilia

Hello Cinema, Goodbye Cinephilia. Monday, 25 April 2011. 36 Fillette (1988, Catherine Breillat). I generally find Catherine Breillat to be something of a hit and miss director, more so because so many of her films end up becoming merely didactic with limited style to show for it. Even the weightiness of the shock value of her works can be wearisome and transparent at times. During those times when she doesn't have discourse on the brain and is dealing with matters of the heart, she hits her stride. Anoth...

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Hello Cinema, Goodbye Cinephilia | traumatografo.blogspot.com Reviews

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Hello Cinema, Goodbye Cinephilia. Monday, 25 April 2011. 36 Fillette (1988, Catherine Breillat). I generally find Catherine Breillat to be something of a hit and miss director, more so because so many of her films end up becoming merely didactic with limited style to show for it. Even the weightiness of the shock value of her works can be wearisome and transparent at times. During those times when she doesn't have discourse on the brain and is dealing with matters of the heart, she hits her stride. Anoth...

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Hello Cinema, Goodbye Cinephilia | traumatografo.blogspot.com Reviews

https://traumatografo.blogspot.com

Hello Cinema, Goodbye Cinephilia. Monday, 25 April 2011. 36 Fillette (1988, Catherine Breillat). I generally find Catherine Breillat to be something of a hit and miss director, more so because so many of her films end up becoming merely didactic with limited style to show for it. Even the weightiness of the shock value of her works can be wearisome and transparent at times. During those times when she doesn't have discourse on the brain and is dealing with matters of the heart, she hits her stride. Anoth...

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traumatografo.blogspot.com

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Hello Cinema, Goodbye Cinephilia: The Entity (1982, Sidney J. Furie)

http://www.traumatografo.blogspot.com/2011/03/entity-1982-sidney-j-furie.html

Hello Cinema, Goodbye Cinephilia. Tuesday, 22 March 2011. The Entity (1982, Sidney J. Furie). Peter Tscherkassky's best known short film, Outer Space. Spliced and mangled various scenes from The Entity. He also used scenes from this film in another one of his shorts of almost equal greatness, Dream Work. So naturally I was inclined to get around to watching The Entity. It's inevitable and something of a given that films based on actual accounts (particularly paranormal ones) would take heavy liberties&#4...

2

Hello Cinema, Goodbye Cinephilia: Play It as It Lays (1972, Frank Perry)

http://www.traumatografo.blogspot.com/2011/03/play-it-as-it-lays-1972-frank-perry.html

Hello Cinema, Goodbye Cinephilia. Wednesday, 23 March 2011. Play It as It Lays (1972, Frank Perry). Joan Didion's novel of the same name from which this is adapted is a work of few words conveying a tone that is cold and bleak, which is not to say that the work isn't something of a savoury marvel of words and images that swirl around in the mind and beg to be reread. Yet, it's rather surprising that such a book was considered ripe material for a film adaptation. Subscribe to: Post Comments (Atom).

3

Hello Cinema, Goodbye Cinephilia: Reversal of Fortune (1990, Barbet Schroeder)

http://www.traumatografo.blogspot.com/2011/03/reversal-of-fortune-1990-barbet.html

Hello Cinema, Goodbye Cinephilia. Monday, 28 March 2011. Reversal of Fortune (1990, Barbet Schroeder). Back when Bill Kurtis narrated half of A&E's programming, I was an avid watcher of American Justice. One of the more notable episodes I came across profiled the very lengthy, high-profile, and convoluted case of Claus von Bulow. It was only natural that I would eventually get around to watching Reversal of Fortune. Whenever that would have been. Subscribe to: Post Comments (Atom). Awesome Inc. templ...

4

Hello Cinema, Goodbye Cinephilia: 36 Fillette (1988, Catherine Breillat)

http://www.traumatografo.blogspot.com/2011/04/36-fillette-1988-catherine-breillat.html

Hello Cinema, Goodbye Cinephilia. Monday, 25 April 2011. 36 Fillette (1988, Catherine Breillat). I generally find Catherine Breillat to be something of a hit and miss director, more so because so many of her films end up becoming merely didactic with limited style to show for it. Even the weightiness of the shock value of her works can be wearisome and transparent at times. During those times when she doesn't have discourse on the brain and is dealing with matters of the heart, she hits her stride. Anoth...

5

Hello Cinema, Goodbye Cinephilia: April 2011

http://www.traumatografo.blogspot.com/2011_04_01_archive.html

Hello Cinema, Goodbye Cinephilia. Monday, 25 April 2011. 36 Fillette (1988, Catherine Breillat). I generally find Catherine Breillat to be something of a hit and miss director, more so because so many of her films end up becoming merely didactic with limited style to show for it. Even the weightiness of the shock value of her works can be wearisome and transparent at times. During those times when she doesn't have discourse on the brain and is dealing with matters of the heart, she hits her stride. Anoth...

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Hello Cinema, Goodbye Cinephilia

Hello Cinema, Goodbye Cinephilia. Monday, 25 April 2011. 36 Fillette (1988, Catherine Breillat). I generally find Catherine Breillat to be something of a hit and miss director, more so because so many of her films end up becoming merely didactic with limited style to show for it. Even the weightiness of the shock value of her works can be wearisome and transparent at times. During those times when she doesn't have discourse on the brain and is dealing with matters of the heart, she hits her stride. Anoth...

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