The Science of Vision and the Emergence of Art - vision science and the emergence of modern art. Richly illustrated and interactive. Color theory from Newton, Geothe, Chevreul, Hering. From the Renaissance to Modern..
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The Science of Vision and the Emergence of Art | vision-art.brandeis.edu Reviews
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The Science of Vision and the Emergence of Art - vision science and the emergence of modern art. Richly illustrated and interactive. Color theory from Newton, Geothe, Chevreul, Hering. From the Renaissance to Modern..
vision-art.brandeis.edu
Simultaneous contrast
http://vision-art.brandeis.edu/contrast.html
Light, color and vision. Color interactions: Simultaneous contrast. Equinox, Hans Hofmann, 1958. Note how the contrasting colors create energetic forms — which Hofmann famously termed push and pull. There is strong contrast between yellow and blue in Vincent’s painting of the Café Terrace on the Plce du Forum, Arles, 1888. Again, dramatic contrast, between the red and green. This watercolor of Vincent’s Night café in Arles was painted the same month at the cafe at left. Why do these colors seem so vivid?
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http://vision-art.brandeis.edu/about.html
Light, color and vision. Color interactions: Simultaneous contrast. Sponsored by a grant to Brandeis University from the U. S. Department of Education FIPSE (Funds for the Improvement of Post-Secondary Education). Key sources and contributors. Lustig is an artist based in New York City. She specializes in abstract painting and photography, as well as hand-colored photography. She has a BFA from Brooklyn College. Exhibitions include: MOMA (New York), Queens Museum of Art, A.I.R.,...
Luminance differences affect our perceptions
http://vision-art.brandeis.edu/anuszkiewicz.html
Light, color and vision. Color interactions: Simultaneous contrast. Michelangelo and da Vinci. Luminance differences affect our perceptions. Artists use the technique of equiluminance to blur outlines and suggest motion. We cannot perceive the edges of objects where object and background have the same luminance. If parts of a painting are equiluminant, their positions become ambiguous. They may seem to shift position or to float. Detail from Plus Reversed , Richard Anuszkiewicz, 1960. Use of equiluminanc...
What is color?
http://vision-art.brandeis.edu/color.html
Light, color and vision. Color interactions: Simultaneous contrast. What happens in the eye? Color is a perception, just like taste. Let’s consider an analogy with food. When we eat, our taste buds sense the attributes of food: sweet, salty, sour, or bitter. Point at the foods below to see different mixtures of taste attributes. Note that these attributes are opposites. Like hot and cold. Color nerves sense green or. Red; and blue or. Color attributes were first understood by 19th century from physiologi...
The Science of Vision and the Emergence of Art
http://vision-art.brandeis.edu/index.html
Light, color and vision. Color interactions: Simultaneous contrast.
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The Science of Vision and the Emergence of Art
Light, color and vision. Color interactions: Simultaneous contrast.
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