ursenal.net

Ursula Endlicher

My practice I translate. My work intersects Internet art,. Performance, and installations. It take inspiration from user behaviour in. Social Media, or from Internet protocols,. Or even from the very architecture of the Web. The HTML-language - itself. I like to experiment with. The conventional understanding of. These topics and re-enact. Internet-phenomena in RL while. The other way around, I also. Into the online world. In many of my works. I have used computer code. As choreography for movement.

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Ursula Endlicher | ursenal.net Reviews

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My practice I translate. My work intersects Internet art,. Performance, and installations. It take inspiration from user behaviour in. Social Media, or from Internet protocols,. Or even from the very architecture of the Web. The HTML-language - itself. I like to experiment with. The conventional understanding of. These topics and re-enact. Internet-phenomena in RL while. The other way around, I also. Into the online world. In many of my works. I have used computer code. As choreography for movement.

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1 artist

2 statement

3 real time data into

4 non linear narratives

5 and choreographies

6 transfer physical manifestations

7 of networks

8 internet myself

9 my work encompasses

10 theatrical manifestations

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artist,statement,real time data into,non linear narratives,and choreographies,transfer physical manifestations,of networks,internet myself,my work encompasses,theatrical manifestations,performative algorithms,scenarios online,the journalist,web spider

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Ursula Endlicher | ursenal.net Reviews

https://ursenal.net

My practice I translate. My work intersects Internet art,. Performance, and installations. It take inspiration from user behaviour in. Social Media, or from Internet protocols,. Or even from the very architecture of the Web. The HTML-language - itself. I like to experiment with. The conventional understanding of. These topics and re-enact. Internet-phenomena in RL while. The other way around, I also. Into the online world. In many of my works. I have used computer code. As choreography for movement.

SUBDOMAINS

interacticons.ursenal.net

Ursula Endlicher: interACTicons

By Ursula Endlicher ursenal.net. Is a participatory, philosophical and theatrical investigation into the depth of the Internet as well as of its surface - of our activities on the Social Web; it scrutinizes the language used on social networking sites, which predefines the actions users are constantly conducting. The piece asks the audience to rethink these terms and their actions, and assign new value to them while participating in a performative commentary of our online social habits. Such as friend,.

farflungsfuture.ursenal.net

Ursula Endlicher: FAR-FLUNG's future

From the introduction to Far-Flung's future. Click on the icons to enlarge photos and to watch a short video documentation. 8211; of "on" and "off". Premiered on Friday, November 20, 2015 at WUK/Grosser Saal, in Vienna. Artistic direction / Concept / Media / Stage and Scenography: Ursula Endlicher. Light Installation: Thomas J. Jelinek. Set Production: Lee Day and Ernst Endlicher. Robert Appleton and Laura Meyers (Video Performances). Many thanks to the whole technical set-up team at WUK!

farflungfollowsfunction.ursenal.net

Ursula Endlicher: Far-Flung follows function

A new project by Ursula Endlicher / ursenal.net. The "upgraded version" is here:. WUK/Grosser Saal, Vienna, Austria. On November 20, 2015 at 7pm and 9pm.

INTERNAL PAGES

ursenal.net

1

Ursula Endlicher: Website Impersonations: The Ten Most Visited #7

http://www.ursenal.net/wi_ttmv/index7.html

Website Impersonations: The Ten Most Visited. Is a Live Performance Series choreographed by Web code. In the three most recent performances&#151 orkut.com,. 151in the series, showed at the. Performance Mix Festival at LMCC Swing Space@Seaport. Website Impersonations: The Ten Most Visited. Website Impersonations: The Ten Most Visited. 7 - www.msn.com. Showed at Performance Mix Festival,. LMCC Swing Space @ Seaport, New York. City, on April 4, 2008.

2

Ursula Endlicher: Website Wig of jerseycitymuseum.org

http://www.ursenal.net/websitewigs/jerseycitymuseum

Website Wigs - www.jerseycitymuseum.org. Built for "Hair Tactics" @ Jersey City Museum,. March 5 - June 11, 2010. To see other exhibition views click on thumb-nail photos. Website Wigs - www.jerseycitymuseum.org. The hyper-link structure of the Jersey City Museum's website was braided into color-coded and knotted hair of a wig.

3

Ursula Endlicher: Website Impersonations: The Ten Most Visited #10

http://www.ursenal.net/wi_ttmv/index10.html

Website Impersonations: The Ten Most Visited. Is a Live Performance Series choreographed by Web code. In the threemost recent performances&#151 orkut.com,. 151in the series, showed at the. Performance Mix Festival at LMCC Swing Space@Seaport. Website Impersonations: The Ten Most Visited. Website Impersonations: The Ten Most Visited. 10 - www.orkut.com. Showed at Performance Mix Festival,. LMCC Swing Space @ Seaport, New York. City, on April 3, 2008.

4

Ursula Endlicher: "Website Wigs" and "Website Wigs, Interrupted"

http://www.ursenal.net/websitewigs/ww_interrupted

More website wigs images. More website wigs shows and images. Website Wigs - The Installation @ Woodstreet Galleries, Pittsburgh, PA. Installation of Website Wigs. 2004) and Website Wigs, Interrupted. On show: January 28 - March 31, 2007. In "Thread", curated by Michele Thursz. Wood Street Galleries, Pittsburgh, PA. While the "original" websites and their links to each other continue to change, these objects and their network are eternalized snapshots of moments passed in Internet time.

5

Famous For One Spam - Intro to Installation

http://www.ursenal.net/new/famousforonespamintro/indexi.html

FAMOUS FOR ONE SPAM. Launch FAMOUS FOR ONE SPAM. FAMOUS FOR ONE SPAM",. This piece deals with the flow of incoming spam email and. Juxtaposes the content of spam and the "fake identity" of. The sender with the "real" person and their life which was found. Online behind the same name. An ID-ticker, or identity ticker, cycles images and names of. Different spam characters at different speeds. The faces are derived. From performance sessions I staged and filmed where I projected. Ended up in my junk mail box.

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endlicher.at

About - Michael Endlicher

http://www.endlicher.at/kontakt.html

Michael Endlicher versucht in den komplexen Relationen von Wort und Bild, von Körper, Individuum und Sprache eigene Perspektiven auszumachen, die er in einer spielerisch reduzierten Ästhetik festhält. Ihn interessiert, wie zeitgenössischer Kunst Sinn von außen zugeschrieben wird: Was wird warum von wem hineingelesen und herbeiformuliert? Was wird dem Künstler zugeschrieben und abverlangt? What is attributed to the artist and what is demanded from him? Vertreten wird er von der Wiener Galerie GPLcontempor...

curating-netart.blogspot.com

Curating netart: March 2007

http://curating-netart.blogspot.com/2007_03_01_archive.html

Tuesday, March 06, 2007. Thanks so much for this summary of thoughts about the Transmediale and the ongoing terminological struggles. I started trying to describe my own work, or the work of others, with several words, so not one particular term, but a whole combination of influences and locations to describe what I am producing, or what the work I am talking about seems to come fromwhich sometimes might feel like a lot of information at once. Which leads me to several recent observations:. You were aski...

curating-netart.blogspot.com

Curating netart: December 2006

http://curating-netart.blogspot.com/2006_12_01_archive.html

Wednesday, December 20, 2006. Jeremy Strick about new media art. New media art] questions everything, the most fundamental. Assumptions: What is a work? How do you collect? All of those things that museums are. Based upon and structured upon are pretty much thrown open to. Jeremy Strick, Director, Museum of Contemporary Art, Los Angeles. In this comment, Jeremy Strick is both correct and being rhetorical. Lots of contemporary art raises these same questions. New media art,. In the early 90s, there has be...

curating-netart.blogspot.com

Curating netart: September 2006

http://curating-netart.blogspot.com/2006_09_01_archive.html

Friday, September 15, 2006. Upgrade Berlin, Paraflows Vienna: how to curate netart? We are starting the Upgrade! Berlin today and one of our most crucial points for the whole network of international media artists is how to present media art at all. After having travelled on our Mobile Studios Eastern European tour this summer ( http:/ www.mobile-studios.org. I think back to Vienna last week, where we visited the Paraflows festival, Have a look: http:/ www.paraflows.at. Best from berlin, ela. To sell or ...

curating-netart.blogspot.com

Curating netart: May 2006

http://curating-netart.blogspot.com/2006_05_01_archive.html

Monday, May 15, 2006. I am curious to see the results of our webconference on Friday, 26th of May with you as our co-host in New York. It seems that we have touched upon some intersting subjects and I hope that this forum will be a lively discussion tool for everybody who is interested in the challenges of curating net art these days. So- looking forward to hear from you! Posted by curating netart @ 8:48 AM. Links to this post. View my complete profile. New Museum New York. Netart in the theater.

curating-netart.blogspot.com

Curating netart: April 2007

http://curating-netart.blogspot.com/2007_04_01_archive.html

Thursday, April 19, 2007. Thanks so much for your remarks and thoughts about the terminological struggles surrounding media art, netart, digital art, digital culture, networked art.(ok, I'll stop here ;-). I especially appreciated your remark about Rhizome's ArtBase, which allows people to create an individual terminology for their respective artworks. This brings me to a related article I currently read in the Infotangle blog. Metropolitan Museum of Art. Reports of "staggering results" and quotes Susan ...

curating-netart.blogspot.com

Curating netart: June 2006

http://curating-netart.blogspot.com/2006_06_01_archive.html

Friday, June 02, 2006. Summary of our webconference. Studio Web Conference, May 26, 2006. After several attempts to connect all four parties with the festoon video conferencing system, which seemed to run quite unstable as a beta version, we switched over to the skype audio conferencing module. Ela Kagel from Mobile Studios thereafter added another quote, stated by Kit Galloway in 1999: Net art is dead! Michele Thursz, independent curator, added her position: I think of net art as a data-dynamic type of ...

curating-netart.blogspot.com

Curating netart: October 2006

http://curating-netart.blogspot.com/2006_10_01_archive.html

Thursday, October 05, 2006. Art Mob: curate your own show. I came across the art mob project of a student group of the Marymount Manhattan College. They are creating, unofficially, audio guides for the Museum of Modern Art in New York. For more details check here: http:/ mod.blogs.com/art mobs/. Oh, and I still owe you a small report on our Upgrade! That's it for now from Berlin,. See you soon, Ela. Posted by curating netart @ 3:04 AM. Links to this post. View my complete profile. New Museum New York.

curating-netart.blogspot.com

Curating netart: June 2007

http://curating-netart.blogspot.com/2007_06_01_archive.html

Tuesday, June 12, 2007. The Web versus Minimalism. Thanks for your vivid descriptions about museums, tagging, and audience participation for defining classification systems of artworks. My threads of thoughts during the last weeks included the art market, digital and online art, trends , minimalism versus "complexitism, and how information is collected, sorted, spread, and lost again. As you know, the html-movement-library. And its accompanying projects including html butoh. Through its abundance in medi...

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Ursula Endlicher

My practice I translate. My work intersects Internet art,. Performance, and installations. It take inspiration from user behaviour in. Social Media, or from Internet protocols,. Or even from the very architecture of the Web. The HTML-language - itself. I like to experiment with. The conventional understanding of. These topics and re-enact. Internet-phenomena in RL while. The other way around, I also. Into the online world. In many of my works. I have used computer code. As choreography for movement.

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Living with Cancer by Roger - Home Page

Living with Cancer by Roger. Written by: Roger Ursenbach Sr, 5/23/2015 @ 11:31.14 AM. There are so many things to be grateful for. My wife and I have been reading in the scriptures daily and it has been such a blessing in our lives. We usually read every morning before the day begins and is helps guild the rest of our day. One of the things that reading helps us with is being grateful for what is in our lives. especially for family and friends. Thank you all for being there for us. Roger Ursenbach, Sr.

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A Resource Guide for Your Personal and Professional Life. 8220;We hold these truths to be self-evident: that all men are created equal; that they are endowed by their Creator with certain inalienable Rights; that among these are Life, Liberty, and the pursuit of happiness; that to secure these rights, Governments are instituted among men, deriving their just powers from the consent of the governed.”. From the Declaration of Independence.